Sindubhairavi
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I would love to see some discussions on this excellent rag.
If there has been no thread on this, I would request our members to intiate analysis.
'VenkatAchala nilayam' and 'ViswEswara' are very good songs on this rag.
-sheela-
If there has been no thread on this, I would request our members to intiate analysis.
'VenkatAchala nilayam' and 'ViswEswara' are very good songs on this rag.
-sheela-
Last edited by sindhu on 30 Oct 2006, 16:35, edited 1 time in total.
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kanavO ninaivO. rAgA: sUryakAnta/sindhubhairavi. cApu tALA. Composer: Gopalakrishna Bharati.
P: kanavO ninaivO kaNDadu vINO
A: manadil urudikoLLa vazhi onru kANEn
C1: niddirai tanil oru siddhan uruvAi vandu mukti taruvEnenru nattip-pEshinaduNDu
2: Arum igazhndu taLLum nArum pulaiyan ennai vArum parama padam shErum enrazhaittu
3: kiTTa nerungi vandu taTTi ezhuppi oru veTTa veLiyaik-kATTik-kaTTaLaiyiTTadu
P: kanavO ninaivO kaNDadu vINO
A: manadil urudikoLLa vazhi onru kANEn
C1: niddirai tanil oru siddhan uruvAi vandu mukti taruvEnenru nattip-pEshinaduNDu
2: Arum igazhndu taLLum nArum pulaiyan ennai vArum parama padam shErum enrazhaittu
3: kiTTa nerungi vandu taTTi ezhuppi oru veTTa veLiyaik-kATTik-kaTTaLaiyiTTadu
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chalanata,
http://www.sangeethapriya.org/~asokan/C ... SG-TVG-10/
The above link has a concert of Sri K J Yesudas with Sri M S Gopalakrishnan and Sri T V Gopalakrishnan. A Sindhu Bhairavi kriti starting swarga putri is the main piece.
Smt R Vedavalli mentions that only recently that sindhu bhairavi has been sung in madhyamasruthi. From her statement I infer Sindhu Bhairavi was sung in the regular panchama sruthi earlier.
http://www.kutcheribuzz.com/ask/music/vidhushi1.asp
http://www.sangeethapriya.org/~asokan/C ... SG-TVG-10/
The above link has a concert of Sri K J Yesudas with Sri M S Gopalakrishnan and Sri T V Gopalakrishnan. A Sindhu Bhairavi kriti starting swarga putri is the main piece.
Smt R Vedavalli mentions that only recently that sindhu bhairavi has been sung in madhyamasruthi. From her statement I infer Sindhu Bhairavi was sung in the regular panchama sruthi earlier.
http://www.kutcheribuzz.com/ask/music/vidhushi1.asp
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Sindhu wrote:
GKB's mudra is there in tandai tAi.
tandai tAi. rAgA: mukhAri /SaNmukhapriyA. cApu tALA.
P: tandai tAi irundAl ivvulagattil umakkinda tAzhvellAm varumO ayyA
A: andamil naTam sheyyum ambalavANarE arumaiyAghavE peTru orumaiyuDan vaLartta
C1: kallAl oruvan kaDindaDikka uDal padaikka kAlin seruppAl oru vEDan edirttudaikka
villinAl oruvan vandaDikka umadu tirumEni ennamAi nondadO ayyA oru
2: kUsAmal iDaiyan kaik-kODAriyAl veTTak-kUTTattil oruvan pittA pEyA enat-tiTTa
vIsi madurai mAran pirambAl aDikka anda vELai yArai ninaindIrO ayyA oru
3: shIlamillAdoru peN kAriyumizhalAccE sErndavaLum talai mIdEra eLidAip-pOccE
bAlakrSNan idaip-pArkkum paDiyAccE pAl arugilengaNum pArkkil iduvE pEccE
It is quite possible that there are additional stanza(s) that are missing in kanavO ninaivO.But the mudhra of GB is not appearing in 'KanavO ninaivO'.
3/4 songs (eg. tandai tAy irundAl ) no mudhra is seen.
GKB's mudra is there in tandai tAi.
tandai tAi. rAgA: mukhAri /SaNmukhapriyA. cApu tALA.
P: tandai tAi irundAl ivvulagattil umakkinda tAzhvellAm varumO ayyA
A: andamil naTam sheyyum ambalavANarE arumaiyAghavE peTru orumaiyuDan vaLartta
C1: kallAl oruvan kaDindaDikka uDal padaikka kAlin seruppAl oru vEDan edirttudaikka
villinAl oruvan vandaDikka umadu tirumEni ennamAi nondadO ayyA oru
2: kUsAmal iDaiyan kaik-kODAriyAl veTTak-kUTTattil oruvan pittA pEyA enat-tiTTa
vIsi madurai mAran pirambAl aDikka anda vELai yArai ninaindIrO ayyA oru
3: shIlamillAdoru peN kAriyumizhalAccE sErndavaLum talai mIdEra eLidAip-pOccE
bAlakrSNan idaip-pArkkum paDiyAccE pAl arugilengaNum pArkkil iduvE pEccE
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Here is my attempt of venkaTAcala nilayam in sindhu bhairavi
http://www.rogepost.com/dn/oti4
Please let me know your comments
http://www.rogepost.com/dn/oti4
Please let me know your comments
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Although this thread is old, I wanted to mention that this song "kanavo ninaivO.." is by GKB (part of nandanAr carittiram as mentioned by Lakshman). This song describes the amazement of the landlord (vEdiyar) of nandanAr when the latter told the former as to how to reach godhead. nandan replies "ayyE mettak kaDinam.." and tells him that it (bhakti) has to come from within and not be instructed by others. Thereupon the landlord pines as to how he should get such instruction from a "lowly" pulaiyan (nARum--smelly because he handles carcasses-- pulaiyan at that).sindhu wrote:Laxman Sir,
Thank you very much. But the mudhra of GB is not appearing in 'KanavO ninaivO'.
3/4 songs (eg. tandai tAy irundAl ) no mudhra is seen.
This is rather confusing.
-sheela-
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sindhubhairavi is one of the more light ragas which can be enjoyed by anybody and everybody. but to think of sindu bairavi as the main item is a bit off-colour. there are so many ghana naya ragas which give so much space for exploration and so many excellent kritis in these ragams by great composers. as we all know we can't take 'visweswara' or 'karunai deivame' as a main item( no question of 'can't take', but our mind has been tuned to hear these songs towards the end of the concert. or we can a leaf out of MDR's book( he took 'pavamAna' and sang it as a pallavi for 3 hours!!!)but we can sing RTP in this raga)
the raga gives lots of scope for improvisation and we can sing this raga for hours together,no doubt. the easiest way to remember this raga is to sing the same raga alapana for thodi with no gamaka. add to it chatusruti daivatam,chatusruthi rishabam and a madhyamam between suddha madhyamam and prathimadhyamam and you have the whole ragam in your lap!! an occassional kakali nishadam also adds colour to this ragam.
easier said than done but we have no problems related to swarasthanas in this raga as all the swaras are there!!!:D
this is just a brief description of sindhubhairavi but more can be discussed if you put forth your doubts, disagreements,arguments etc.,
violinlover
the raga gives lots of scope for improvisation and we can sing this raga for hours together,no doubt. the easiest way to remember this raga is to sing the same raga alapana for thodi with no gamaka. add to it chatusruti daivatam,chatusruthi rishabam and a madhyamam between suddha madhyamam and prathimadhyamam and you have the whole ragam in your lap!! an occassional kakali nishadam also adds colour to this ragam.
easier said than done but we have no problems related to swarasthanas in this raga as all the swaras are there!!!:D
this is just a brief description of sindhubhairavi but more can be discussed if you put forth your doubts, disagreements,arguments etc.,
violinlover
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yes vijay, i didn't say sindubhairavi doesn't offer scope. infact i said this raga offers more scope for exploration than other ragas since all notes are present in this ragam. i just said that singing certain light pieces in this ragam cannot be taken as a main piece.that's all.
in fact i was present in that concert of TNS. he sang this pallavi again with my esteemed guru( shri MC) on violin.
the pallavi line is :
'kapAlini trishUlini ezhil sindhum bhairavi mAm pAhi' in kanda triputa talam 6 beats before samam.
in fact i was present in that concert of TNS. he sang this pallavi again with my esteemed guru( shri MC) on violin.
the pallavi line is :
'kapAlini trishUlini ezhil sindhum bhairavi mAm pAhi' in kanda triputa talam 6 beats before samam.
Last edited by violinlover on 15 Jul 2007, 17:26, edited 1 time in total.
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dearCM devotees,
please view and listen to one of my compositions, in the rAga Sindhubhairavi "VeenA gAna visharadhE"-Telugu-Goddess Saraswaty
ref: www.karnatik.com/c3468.shtml
Ramaraj
please view and listen to one of my compositions, in the rAga Sindhubhairavi "VeenA gAna visharadhE"-Telugu-Goddess Saraswaty
ref: www.karnatik.com/c3468.shtml
Ramaraj
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