Skanda Subramanian - Mridangam
1. Kalyani Varnam (Adi)
2. Sri Mahaganapti (Gowla, MD)
3. Sivaloka Nadha (Mayamalavagowla, Gopalakrishna Bharathi)
4. Marajani Ashraye (Natakapriya, N.Ch. Krishnamacharyulu)
5. Rama Rama (Vasantha, Purandaradas)
6. Swararaga Sudha (Shankarabharanam, Tyagaraja)
7. Bhogindra Sayinam (Kuntalavarali, Swati Tirunal)
8. RTP (Amrithavarshini, Anandabhairavi)
Pallavi: Paramananda Amritavarshini Parameswari Anandabhairavi
followed by ragamalika Sama, Saraswati and Bhageswari?
9. Aliveni (Kuranji, ?)
10. Ragamalika (Jhinjhoti, Punnagavarali, Kapi and Sindhubhairavi)
11. Composition in Gujrati (Tilang, composer - She mentioned some Mehta?, could not catch it)
12. Mangalam
A truly memorable concert with her vibrant voice. I have listened to her before, but nothing like this. Her Shankarabharanm alapana is simply amazing and so is her Natakapriya. She did excellent neraval for Shankarabharanm with some of the bhrigas resembling me of Sulamangalam Sisters which is the first time I listened to Swararaga SUdha composition before. She seems to be quite at ease navigating the higher and lower octaves in her alapana, and her voice reminded me of the great MS especially so while rendering the bhagajan such as the one in no. 9) the Aliveni piece. This is the first time I am listening to her LIve even though I watched her via Webcast, thanks to icarnatic before but this is a truly a memorable live concert.
The RTP piece was truly majestic with going back and between the two ragas Amritavarshini and Anandabhairavi during alapana and Tanam. And, after she rendered the ragamalika in the other ragas, she went back in the same order before concluding in a grand fashion. The Tani Avartanam by Skanda during the Tanam and during the conclusion was simply superb. Mysore Srikanth was equally good and gave admirable support.
I personally thanked her for the RTP since it was my request for her to do RTP w/Ragamalika

She made announcement about the Natakapriya compostion and it was very nice to hear this first time around.
I stand corrected if I made any mistakes in raga/composer mapping and feel free to fill-up where I left ? especially the Aliveni piece.