Which Raga is this?
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According to Lakshman this is also known as 'janasammOdini' though that raga has other variants. See
http://www.sangeetham.com/_disc1/0000016a.htm
http://www.sangeetham.com/_disc1/0000016a.htm
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That is what Dr BMK calls this rAga.. But the rest of the world calls it vAsanti, since they have another janasammOdinicmlover wrote:According to Lakshman this is also known as 'janasammOdini' though that raga has other variants. See
http://www.sangeetham.com/_disc1/0000016a.htm
-Ramakriya
Last edited by ramakriya on 09 Feb 2007, 04:39, edited 1 time in total.
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mayil mIdu. rAgA: vAsanti. Adi tALA. Composer: Sattur Karpakam.
P: mayil mIdu viLaiyADum vaDivElanE muruganE unnai manamAra ninaippavarkku aruL bAlanE (sadA) (vaNNa) (tOghai)
A: kayilai vAzh jagadIshan maindanE kandanE kalangAdu enai kAkkum karuNAkaranE
(ciTTasvara)
dha pa dhA dha pa dhA sa dha sa pa dha sa ga pa dha sa ri ga pa dha sa ri pa ga dha pa sadA-
C: oru nALil orutaramEnum kumarA enrazhappavarkku karma vinai kaLaindiDuvAi kArtikEyanE
aruL vAri shoriginra avatAranE murugA aruNagiri pAdil vanda bAla muruganE
(repeat ciTTasvara)
P: mayil mIdu viLaiyADum vaDivElanE muruganE unnai manamAra ninaippavarkku aruL bAlanE (sadA) (vaNNa) (tOghai)
A: kayilai vAzh jagadIshan maindanE kandanE kalangAdu enai kAkkum karuNAkaranE
(ciTTasvara)
dha pa dhA dha pa dhA sa dha sa pa dha sa ga pa dha sa ri ga pa dha sa ri pa ga dha pa sadA-
C: oru nALil orutaramEnum kumarA enrazhappavarkku karma vinai kaLaindiDuvAi kArtikEyanE
aruL vAri shoriginra avatAranE murugA aruNagiri pAdil vanda bAla muruganE
(repeat ciTTasvara)
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There is this famous song from "saagara sangamam" where Ilayaraja plays an exhillarating hide and seek with mohana and vaasanthi. this starts off in mohana and he goes in to vaasanti in between. enjoy:
http://www.musicindiaonline.com/p/x/pJ7 ... As1NMvHdW/
i am sorry if you feel its sacrilegeous to mention Ilayaraja in a classical music thread...but i just couldnt resist sharing it.
http://www.musicindiaonline.com/p/x/pJ7 ... As1NMvHdW/
i am sorry if you feel its sacrilegeous to mention Ilayaraja in a classical music thread...but i just couldnt resist sharing it.
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Lakshman-ji,
The last line of the caraNam should read aruNagiri pAvil vanda bAla murugane.
The ciTTa svarams go like this in Nithyasree's version:
d , , p | d , g p | d , , , | , , , - g | d , , p | d , g p | d , , , | , , , - S ||
d , , p | d , g p | d , , , | , , , - S | d S - p d | p d S - g | d , , p | d , , S ||
d , , - S | , d S , | p d S , | g p d S | , r g p | d S , g | r , p g | , d p , | S d , , ||
kssuresh,
gOvinda ninna nAmave canda has a distinct n2 usage, along with d2. The ArO-ava is s r2 g3 p d2 n2 S - S n2 d2 p g3 r2 s.
The last line of the caraNam should read aruNagiri pAvil vanda bAla murugane.
The ciTTa svarams go like this in Nithyasree's version:
d , , p | d , g p | d , , , | , , , - g | d , , p | d , g p | d , , , | , , , - S ||
d , , p | d , g p | d , , , | , , , - S | d S - p d | p d S - g | d , , p | d , , S ||
d , , - S | , d S , | p d S , | g p d S | , r g p | d S , g | r , p g | , d p , | S d , , ||
kssuresh,
gOvinda ninna nAmave canda has a distinct n2 usage, along with d2. The ArO-ava is s r2 g3 p d2 n2 S - S n2 d2 p g3 r2 s.
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Here is the Tamil link for the song posted by humdinger
sung by SPB and Shailaja
http://www.musicindiaonline.com/p/x/PVO ... As1NMvHdW/
But I could not get the 'feel' for vaasanthi. Could somebody help?
sung by SPB and Shailaja
http://www.musicindiaonline.com/p/x/PVO ... As1NMvHdW/
But I could not get the 'feel' for vaasanthi. Could somebody help?
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Nityashree's recording is available here:
http://www.musicindiaonline.com/music/c ... rtist.108/
http://www.musicindiaonline.com/music/c ... rtist.108/
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Here is the list of songs in vAsanti:
Bhumi tamare pu mapugo-Adi-Annamacharya
Kuyile ni kuvi azhaippai-Adi-D.Pattamal
Mayil midu vilaiyadum vadivelane-Adi-Sattur Karpakam
Mere dil ki- -Balasai
Tillana (tam tam taka tom tom taka tadhira)-Chapu-Lalgudi Jayaraman
Umamaheshvara suputram-M/Jhampa-R.K.Suryanarayana
Vasanti madhavi-Adi-P.T.Narasimhachar
Bhumi tamare pu mapugo-Adi-Annamacharya
Kuyile ni kuvi azhaippai-Adi-D.Pattamal
Mayil midu vilaiyadum vadivelane-Adi-Sattur Karpakam
Mere dil ki- -Balasai
Tillana (tam tam taka tom tom taka tadhira)-Chapu-Lalgudi Jayaraman
Umamaheshvara suputram-M/Jhampa-R.K.Suryanarayana
Vasanti madhavi-Adi-P.T.Narasimhachar
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Hallo every one , My composition in this ragaa Vasanthi "BROVAKAYUNDUTA NYAAYAMAA
PAAVANA SRIRAGHU KULA SAARVA
BHOWMAA (NANNU)"
The above kriti too was in compliance withthe request by
the legendy Sri volety garu
Ref:www.karnarnatik.com
Ramaraj
PAAVANA SRIRAGHU KULA SAARVA
BHOWMAA (NANNU)"
The above kriti too was in compliance withthe request by
the legendy Sri volety garu
Ref:www.karnarnatik.com
Ramaraj
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Thanks brother Ramraj!
I did listen to your composition. The raga bhava is very clear and quite nice! Again interesting context of composition. Did Voletigaaru ever try to render the composition or in this raga?
Would somebody post the translation of Sri Ramraj's Telugu Composition? Certainly this should be added to Lakshman's list. Thanks
I did listen to your composition. The raga bhava is very clear and quite nice! Again interesting context of composition. Did Voletigaaru ever try to render the composition or in this raga?
Would somebody post the translation of Sri Ramraj's Telugu Composition? Certainly this should be added to Lakshman's list. Thanks
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Hallo CM Lover, I have posted the the conceptual meaning for the Kriti in Vaasanthi
The conceptual meaning of vaasanthi raga kriti(brovaka yundata Nyaayamaa)
Pallavi: Oh ! Raama (Raghukula Saarvabhaumaa !!
Is it fair (on your part) to remain unmindful
Of my plea to protect me ?
A., Pallavi id’nt I deem the the Daasyamaana Bhakti of
HANUMAAN(the SUPREME Musician/ and a person of few
and selective sweet words) is superior than the SUPEREMO
HIMSELF !!
Caranam :Are’nt You aware of my conviction that the
Fruits are all due to my previous bhirth’s penance,
Which includes the very thought of your lotus feet
And the one derived from dedicating my musical out-pourings
Thru’ the melody of Vaasanthi,endearing to fill the
Discerning ears.Don’t u still feel it fit to protect me ?
Ramaraj
The conceptual meaning of vaasanthi raga kriti(brovaka yundata Nyaayamaa)
Pallavi: Oh ! Raama (Raghukula Saarvabhaumaa !!
Is it fair (on your part) to remain unmindful
Of my plea to protect me ?
A., Pallavi id’nt I deem the the Daasyamaana Bhakti of
HANUMAAN(the SUPREME Musician/ and a person of few
and selective sweet words) is superior than the SUPEREMO
HIMSELF !!
Caranam :Are’nt You aware of my conviction that the
Fruits are all due to my previous bhirth’s penance,
Which includes the very thought of your lotus feet
And the one derived from dedicating my musical out-pourings
Thru’ the melody of Vaasanthi,endearing to fill the
Discerning ears.Don’t u still feel it fit to protect me ?
Ramaraj
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hallo ramaraj sir,
I really felt extatic even as iwas listening to your rendering the in Vaasanthi.And after finding the Bhavm ridden lyric, tears started rolling down my cheeks.Believe me Sir ! Many many pranaams to you sir.Imust also thank CM LOVER FOR MOTIVATING to bring the Saahityam's meaning posted in the forum
Prashanthi
I really felt extatic even as iwas listening to your rendering the in Vaasanthi.And after finding the Bhavm ridden lyric, tears started rolling down my cheeks.Believe me Sir ! Many many pranaams to you sir.Imust also thank CM LOVER FOR MOTIVATING to bring the Saahityam's meaning posted in the forum
Prashanthi
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IMHO, this is totally not needed....as I, and many others as well, feel that people like Ilayaraja and other music directors have done yeoman service by stringing out songs in classical ragas thereby creating a sense of awarness in many a "non-classical" music lovers...if in this process, even a microscopic minority of these people are going to shift to classical music, then carnatic music will be that much richer!humdinger wrote:I am sorry if you feel its sacrilegeous to mention Ilayaraja in a classical music thread...but i just couldnt resist sharing it.
Cheers
Sam
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There is a popular Kanadasa Kriti "Eesha ninna charana bhajane', which is sung most beautifully by those identifying themselves with rudrapatnam school(RK Srikantan, MS Sheela)..
"Govinda ninna namave chanda", as popu;arised by santanam is infact janasammodini. Its is Vasanthi plus kaishika nishada..its a kinda hybrid of vasanti and valachi
"Govinda ninna namave chanda", as popu;arised by santanam is infact janasammodini. Its is Vasanthi plus kaishika nishada..its a kinda hybrid of vasanti and valachi