Bharat Sundar. Vocal
H.M.Smitha. Violin
B.C.Manjunath. Mridangam
Sunaad Anoor. Khanjira
Date.... 15.9.2013 Sunday
Time.... 4.15 pm
Venue.... Indian heritage academy, near police station, 6th block, Koramangala, Bangalore.
Bharat sundar is the first Carnatic music idol winner in 2010. Since then he has become very popular for his good voice, intelligent presentation in concerts and high technical competence in Carnatic music.
Admission free. All are welcome. Please pass on info to all interested rasikas.
Bharat Sundar @ Nadasurabhi on 15.9.2013
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ranjanimalavi
- Posts: 350
- Joined: 17 Feb 2007, 06:15
Re: Bharat Sundar @ Nadasurabhi on 15.9.2013
1. Parathpara - Vachaspathi - P (RNS)
2. RangapuraVihara - BrindavanaSaranga - MD
3. Bagayenayya - ChandraJyothi - T (S)
4. SwaraJathi - Kamakshi Anudinamu - Bhairavi - SS (RTNS) (T - Thanam)
5. Thani
6. Innudaya Barade - KalyanaVasantham - PD
7. Virutham - Pachai Mamalaipol - Ragamalika (Varali, Kapi, )
8. Karpooram Naarumo - Khamas - AL
I missed few in the beginning, and in the end.
It was a good concert by Bharath Sundar.
The violinists return were good too.
Raman
2. RangapuraVihara - BrindavanaSaranga - MD
3. Bagayenayya - ChandraJyothi - T (S)
4. SwaraJathi - Kamakshi Anudinamu - Bhairavi - SS (RTNS) (T - Thanam)
5. Thani
6. Innudaya Barade - KalyanaVasantham - PD
7. Virutham - Pachai Mamalaipol - Ragamalika (Varali, Kapi, )
8. Karpooram Naarumo - Khamas - AL
I missed few in the beginning, and in the end.
It was a good concert by Bharath Sundar.
The violinists return were good too.
Raman
-
kssr
- Posts: 1596
- Joined: 30 Nov 2009, 15:28
Re: Bharat Sundar @ Nadasurabhi on 15.9.2013
Delightful performance by Bharat Sundar at Nadasurabhi Concert.
On listening to Bharat Sundar's concert, it was heartening to feel that the younger generation have taken to classical music seriously.The listening experience was so good to see all the artists-main and the accompanying artists (all young) had such good rapport and complimented each other all through the concert.
Coming to the specifics, he started with the beautiful kalyani varnam, sung in two kalams.Next came the brisk vasanthabhairavi composition "Nee dhaya radha" bringing out the pathos of thyagaraja yearning for Rama's kindness. An elaborate alapana of Vachaspathi followed and the song chosen was "Parathpara" , a composition of Papanasam Sivan.It had a good niraval and swarams.
Rendition of "Sri Rangapuravihara" was slightly different from the popular patantharam, but never the less interesting. Bhaghayanayya in chandrajyothi was prelude to the main item of the concert. An exhaustive and melodious Bhairavi alapana and thanam followed. In place of Pallavi, nuances filled masterpiece Amba Kamakshi-swarajithi of Shyama Sastri was sung with feeling for the sahithyam, with a beautiful niraval at "bhakthajanakalpalathka" with swarams . A fast paced "Innudhayabharade" in kalyanavasantham-a composition of purandaradasa followed. Virutham of Thondar adippodiazvar -'Pachchai maa malai pol meni' in ragamalika followed by 'Karpooram Naarumo' a nachiar thirumozhi of Aandal in khamas was very beautiful. Finally a bhajan of swtitirunal and a composition on muruga in hamsanandhi, a composition of Madurai Somasundaram, were sung before the mangalam.
H.M.Smitha on violin gave a very good support.She is an artist to be followed . She is able to perceive and anticipate the main artist and compliment the performance. She also showed her maturity in playing alapanas , niraval and swarams.
Manjunath on Mridangam and Sunaad Anoor on kanjira gave a very good support and their talent in the tani avartanam.
( choosing a song after ragam and tanam, reminded one of a Veena concert).
(By Dr.Shyam Krishnan)
On listening to Bharat Sundar's concert, it was heartening to feel that the younger generation have taken to classical music seriously.The listening experience was so good to see all the artists-main and the accompanying artists (all young) had such good rapport and complimented each other all through the concert.
Coming to the specifics, he started with the beautiful kalyani varnam, sung in two kalams.Next came the brisk vasanthabhairavi composition "Nee dhaya radha" bringing out the pathos of thyagaraja yearning for Rama's kindness. An elaborate alapana of Vachaspathi followed and the song chosen was "Parathpara" , a composition of Papanasam Sivan.It had a good niraval and swarams.
Rendition of "Sri Rangapuravihara" was slightly different from the popular patantharam, but never the less interesting. Bhaghayanayya in chandrajyothi was prelude to the main item of the concert. An exhaustive and melodious Bhairavi alapana and thanam followed. In place of Pallavi, nuances filled masterpiece Amba Kamakshi-swarajithi of Shyama Sastri was sung with feeling for the sahithyam, with a beautiful niraval at "bhakthajanakalpalathka" with swarams . A fast paced "Innudhayabharade" in kalyanavasantham-a composition of purandaradasa followed. Virutham of Thondar adippodiazvar -'Pachchai maa malai pol meni' in ragamalika followed by 'Karpooram Naarumo' a nachiar thirumozhi of Aandal in khamas was very beautiful. Finally a bhajan of swtitirunal and a composition on muruga in hamsanandhi, a composition of Madurai Somasundaram, were sung before the mangalam.
H.M.Smitha on violin gave a very good support.She is an artist to be followed . She is able to perceive and anticipate the main artist and compliment the performance. She also showed her maturity in playing alapanas , niraval and swarams.
Manjunath on Mridangam and Sunaad Anoor on kanjira gave a very good support and their talent in the tani avartanam.
( choosing a song after ragam and tanam, reminded one of a Veena concert).
(By Dr.Shyam Krishnan)
