Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

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arasi
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Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

I start this thread with many thanks to Pasupathy whose threads in the Literature fora on Rasikas.org are a source of inspiration for those of us who can read tamizh. He not only writes prose and poetry but brings to us what he shares regularly in his blog--a life-long collection of some of the best in tamizh writing, culled from magazines and books he has lovingly collected over the years.

Here's my attempt in translating what he has posted on Madurai Somu recently in his Musical Morsels thread so that those who do not read tamizh can read them too. As for the folks conversant with tamizh, please do read the original. Nothing to beat that! To go to the original, here's the link:
http://s-pasupathy.blogspot.com/2014/01/25.html

There are pictures too which go with his postings, and I need help in bringing them here :)
Last edited by arasi on 21 May 2016, 04:00, edited 2 times in total.

Rsachi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by Rsachi »

May this thread blossom or a better word, be woven into a rich tapestry!
Image

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

MADURAI SOMU
(From the Musical Morsels thread in tamizh here on Rasikas.org by Pasupathy)

"There is a surprise element in Somu's voice. It starts off being a little gritty at first, but as he sings along, the sound waves from that voice reveal to us what a worshiper of nAdA he is in every single note that he sings. After minute, needle-fine exercises, come the pounding ones like the ulakkai (rice pounder)! All in a sudden, his hands start moving as if a nAdasvara vidvAn is playing, thus taking us to a Rajaratnam Pillai's concert!"--Subbudu
(Thanks to Raja Asokan).

There can't be any music rasikas of CM who are not aware of one of its genius performers--Madurai Somu. If there are, they should get to know about him. I suddenly felt that there isn't enough information or for that matter articles about him on the internet. I wanted to do something about it and contacted my friend Raju Asokan. Being an ardent fan of Somu, he wholeheartedly shared some writings about him with me. My heartfelt thanks to him. I want to share them one by one with you. First, from a few notes and articles I already have with me.

Here's something old which appeared in Ananda VigaDan's ADal pADal (review page) in 1946. Yes, VigaDan had already noticed Somu. Even earlier, in 1944 or 1945, rEDiO eppaDi? (like our thread Air Concerts on Rasikas now!--Arasi) had mentioned him. I will bring them to you later since the pages are badly worn.

(There's also a picture here).
Last edited by arasi on 21 May 2016, 08:26, edited 1 time in total.

shankar vaidyanathan
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by shankar vaidyanathan »

https://youtu.be/ZiiDf-HmkCE

Enna Kavi Padinalum-Neelamani-Madurai Somu-LGJ-CSM

This is music that purifies souls.

Pasupathy
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by Pasupathy »

Thanks, Arasi, for this effort . Madurai Somu deserves it.

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

Thanks, Pasupathy :)

Waiting for the picture. Rajesh, did you get my mail? I don't know if Sachi can read tamizh. Any volunteer is welcome. Then, I can continue with the text. Thanks.

Rsachi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by Rsachi »

Arasi,
At the top of the list of my failings is Tamil illiteracy.
Sorry.
Here is the link to six full, brilliant concerts of Somu with excellent accompaniment:

http://chowdaiahandparvati.blogspot.in/ ... rai%20Somu

rajeshnat
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by rajeshnat »

MaduraiSomu in 1946 vikatan edition posted as a supplement to arasi first post -somu 1Image

rajeshnat
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by rajeshnat »

Arasi
You continue with your second post and I will put the image and will do the same for all remaining 3 parts.

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

ADal PADal (Dance and Music)

Of all the young musicians who sang at the Music Academy, Somasundaram's singing would have drawn the special attention of many. He is endowed with a rare voice. The fast brighAs sung by him with depth and beauty simply stun us. Adding to that, he has sound knowledge and outstanding imagination, and it was evident in that concert of his. He seems to apply all these endowments of his in a discerning way in his singing. His rAga AlApanA-s shine with bhAvA and with a fine imaginative quality. His kalyANi and shaNmukhapriyA for instance. He also has to be applauded for his expertly dealing with naTa nArAyaNi, kalyANa vasantham and asAveri AlApanAs.

Besides, he sings kIrtanAs just as crisply as one should. In short, he has all the qualities of a senior vidvAn.

(Thanks to Ananda VigaDan)


Now, from a biographical sketch published in a brochure which was handed out at a felicitation event in 1988:

Isai PErarinyar Padma Sri Dr. Madurai Somu

rajeshnat
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by rajeshnat »

Image
Madurai somu was honoured on 07-01-1988 - somu part 1
Last edited by rajeshnat on 22 May 2016, 22:22, edited 2 times in total.


arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

The Golden Jubilee Brochure (with the picture above):

The Life of the Golden Man of Music on the Golden Jubilee of his Musical Career

Today, we mark more than fifty years of Dr. Somu's life in the music world. His celebrated life has been an example for many. deivath thamizh manRam takes immense pleasure in felicitating Dr. Somu on his fifty years of service to music. It's no exaggeration to say that Somu has no equal to him. He is sixty nine today, but has the presence and the rich voice of a thirty year old!

Somu comes from a notable musical family. His father Sachidanandam Pillai, mother Kamalambal, grandfather Sundara Raja Pillai, grandmother Nagarathinam Ammal--and his wife Saroja too--are all artistes possessing great sensitivity.

Somu was the tenth child in the family. Family planning was unheard of in those days and so, we are fortunate in having a lion among musicians in our times! He was named Paramasivam.

As a child, Somu trained in the martial arts, practiced breath control, sang devotional songs, did SiraSAsanA and rigorous exercises (he stopped going to school after sixth grade). All the physical training helped him in singing tirelessly, he says.
Last edited by arasi on 23 May 2016, 18:26, edited 2 times in total.

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

Eight hours of work was the norm for him. Today, we know that Somu can sing for eight hours without stopping, reaching unreachable notes!

His gurus at the beginning were R. Narayana Konar, Sesha Bhagavathar, Abhirama Shastry, Settur Sundaresa Bhattar and Madurai Tiruppugazh Mani.
Hie debut performance was in the Tiruchendur Murugan temple--by the grace of Madurai SundareSvarar (as the family felt). Paramasivam was thus called Somu by his mother and others.

Madurai Sangeetha Samajam held a concert of eminent vidvAn Chittoor Subramania Pillai. Somu heard him, was enchanted by his singing and wanted to learn from him. His father and uncle Nagasundram Pillai took Somu to the vidvAn on Vijaya daSami day and offering a gold coin, requested him to accept Somu as a student.

Chittoor lived in Purasavakkam, Chennai in Vallam Bangaru Chetty street. Somu had the good fortune of doing gurukula vAsA for fourteen years. He was the teacher's pet among thirty students and was called Somaiah by him. He played the tamburA for him in his concerts, sang along with him, and at times, at his guru's command, sang rAgAs too.

Somu loved singing kalyANi, kAmbhOdi and tODi. He listened to Rajarathinam Pillai's nadasvaram concerts countless times and was thrilled to hear his tODi time and again. We now know how Somu can sing it now!
Last edited by arasi on 23 May 2016, 18:28, edited 1 time in total.

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

In the year 1940, Somu's guru gifted him a jubba, anga vastram and fragrant musk to adorn his forehead. He also wrote out a song list for a concert and handed it to him. Then he said: go sing now. Just imagine I'm on the stage with you. Sing with humility...

Somu often recalls this scene. With this first concert in Chennai, he began singing solo. His guru is always there in his heart, and that's why you hear him exclaim 'gurunAthA!' at times when he's singing, moved by the thought.

The first title given to him (with my guru's grace, he says) was Ranjita Gana Mani.

In 1947, he married Saroja, the grand daughter of Tirukkavur mahA vidvAn Gurunatha piLLai and daughter of Saktivel pillai. Not only was his guru present at the wedding to bless the couple, but he also gave a concert in celebration.

Somu considers Sri Raja Rajesvari and his guru as his ishTa daivam-s.

Our revered Somu is at the pinnacle of his music now. He has carved out for himself a bANi wherein he reaches the heights of the upper octaves, and in the very next instant, descends to the lower notes with such ease, which steeps us in joy. Singing pallavis in vilamba, madhyama and durita kAlA-s is his forte, and he stands alone in this.

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

Countless awards and accolades have come his way. Here's a man who is kind and is a child at heart. He happily and expertly explains aspects of music to those who come seeking him.

According to him, he knows very little about worldly matters, and says he has his dear wife who takes care of them!

Whether a bhaktA or a non-believer, there aren't many in tamizh nADu who are not thrilled when they hear him sing 'maruda malai mA maNiyE' which he sang in Devar's film 'Deivam'. KrupAnanda vAriAr encouraged him to sing this song for the film. Somu sang it after placing the sheet of music at the feet of Madurai MInAkshi and of Murugan at vaDa pazhani. He observed a fast after that , and then went on to record the song. He also sang a song for the film 'SashTi viradam'.

Listening to Somu sing hindustAni and western music is a moving experience. In Andhra, he has given all telugu kritis concerts, concerts of all kannaDa songs in Karnataka. He is also well trained in playing the mrudangam and khanjirA. "That's why you could call him a sangIta bayivAn (pahalvAn--champion!)", says mI. pa. Somasundaram (author and scholar). This he often speaks of with joy in the musical events he takes part in.

Rsachi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by Rsachi »

What a lovely narrative. Keep 'em coming, Arasi!


arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

Sachi,
Thanks.

Varsha,
Goose bumps...Thanks :)

This is worth a whole season of lec-dems for the young. One session of this could inspire them to go for more in CM!

thanjavooran
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by thanjavooran »

Arasi,
Excellent narration. He was to have taken up Nadaswaram as his career.
Thanjavooran
23 05 2016

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

Somu has been associated with the TiruvADuturai AdInam for the last thirty five years which honored him with the title SangIta Chakravarti in 1958. He was appointed their AsthAna vidvAn in 1979.

In 1969, the pudup periavA (Jayendra Sarasvati) gave him the title Kandar GAna maNi.

In 1979, he was named TN state's artiste.

Chennai university's Music Syllabus Committee's member and also of Madurai and Tanjavur universities.

This year, KAnchi periavA has honored him with the title Isaiyarasar and has made him an AsthAna vidvAn of KAnchi muT.

In 1979, Annamalai university gave him an honorary doctorate.

Somu has four children. The eldest, Shanmugam, works in the Railways workshop. He's an accomplished mridanagm player and accompanies his father in many concerts.

nAdasvara vidvAn Ponnusami Pillai was conducting Madurai Sri Raja Rajesvari temple's annual festival. Somu now conducts it with the help of patrons. Temple renovations are part of it. The five day festival is carried out in a grand manner.
Last edited by arasi on 23 May 2016, 19:23, edited 1 time in total.

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

Thanjavooran,
You are an avid reader of Pasupathy's writings and collections. Please do point out omissions if there are any in my translation of the material from his treasure house.

rshankar
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by rshankar »

Arasi - how wonderful!!! Thank you...another labor of love from you like the bhAratiyAr thread.

Isn't it amazing how a change of language brings joy to many more???

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

Somu, respected and admired by many, is a sweet-natured man. All are equals in his eyes and he moves among the rest of us with affection and humility.

He repects fellow musicians and his accompanists, giving them due regard. He does not consider them to be lesser artistes.

You can see him on a regular basis in concerts at Raja Annamalai manRam during the annual tamizhisai vizhA. He is deeply involved in all that the manRam strives for in nurturing tamizhisai.

A super musician and researcher that Somu is, he has created some rare rAgAs: madhUlikA, Om kAli, vasIkari and sOmapriyA are some of his creations.

Subramanya Bharathi has sung: we will not be slaves to any on earth--only the supreme head of us all, god, shall we serve.To Somu, his guru is god-like, father too. He credits his flourishing in music to Chittoor Subramania Pillai.

Somu has won more than thirty titles to date. More are on their way. Yet, he's not touched by pride. We on the other hand are proud at this hour that we are celebrating such a loving and unassuming artiste.

On this day, we wish this lofty musician this: may his musical gifts grow in leaps and bounds. May he train many young musicians and be of guidance to many in the music field.

We now ask Justice Samikkannu to confer on Somu this award: deiva gnAna isaik kaDal...

deivath thamizh manRam P. Venkatasan
President

(Thanks to Raju Asokan)
Last edited by arasi on 24 May 2016, 03:45, edited 1 time in total.

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

Now, some recollections of Somu about the last concert of his guru when he sang with him...

The year was 1973, and my guru was invited to sing at TanjavUr Murugan Ashramam's kumbhAbhishEkam. He had written to the organizers thus: inform dear and precious Somu about this event.
They did, and I cancelled a wedding concert slated for the day and went to TanjavUr to sing with him.

After singing pakkala nilabaDi in kharaharapriyA, he turned to me and asked, "what shall we sing next?"

"Whatever you wish", I responded.

"aDA! What would YOU like us to sing?"

I said hesitantly, "shaNmukhapriyA?"

He approved, and he let me sing neraval and the svarams for it. The audience applauded, and he said, "bhESh!" Then, he poured some coffee from his flask, and handed it over to me. My eyes filled up with tears of joy...

End of Part One

Rajesh, the picture now, please!

kvchellappa
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by kvchellappa »

That fills our eyes also with tears - a guru's abhimana for sishya. I read in a review of GG's presenation on Sankara how he wrote a bhashyam for his disciple's work.

rajeshnat
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by rajeshnat »

Image
Guru Chitoor Subramania Pillai with Sishya Madurai Somasundaram Pillai- end of part 1

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

SOMU
(Part 2)

The year was 1971. Madurai Somu was honored with Tamizhisai Sangam's prestigious Isai PErarinyar award.

In the picture, Somu receives the award from Governor Shah. Muthiah Chettiar looks on.

rajeshnat
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by rajeshnat »

Image
The year was 1971. Madurai Somu was honored with Tamizhisai Sangam's prestigious Isai PErarinyar award.

In the picture, Somu receives the award from Governor Shah. Muthiah Chettiar looks on.Courtesy dhinamani kadhir -somu part 2

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

After listening to his concert at the Music Academy, Subbudu writes in Dinamani Kadir:

chO enRu koTTum SOmu (the musical downpour called Somu)!

Here's part of that review:

Somu's kAmbhOdi took a direct route to my heart. What mUrchanA! The gAndhAram turned vallinam, mellinam and was rendered a la nAdasvaram and it gave me goosebumps. All his kuzhaivus felt like an envigorating massage.

When Somu takes up a rAgA, it takes the form of a rich image. The movements of his eyes and and his hand gestures give us an illusion of such an impression.With those movements, it seemed as though he had merged with the rAgA without any doubt. Music is satya pramANA for him...


Now, listen to Somu speak about his six most favorite rAgAs:

tODi: I started singing when I was seventeen. I simply adore T.N.Rajarathinam Pillai's nAdasvaram playing. My love for tODi started after listening to him play it. enduku daya rAdurA is one of my favorite songs.

kalyANi: AriyakkuDi sings kalyANi relishing it, pondering over it. GNB would rain sangatis in it for you. If
Ari is Visvanath, GNB is Gavaskar! Both of them have said to me that they were enchanted with my kalyANi! The greatest compliment one can possibly get! Whenever I sing SivE pAhimAm, I think of them both. I also relish the rAgA when I sing my composition mA madurai mInAkshi.

MaNirangu: My guru Chittoor was an expert in singing this rAgA. When I was a student, while singing Tyagayyar's rA nidhi rAdu, I would sing rAdu as rAgu and my guru would get mad at me.Whether at home or on stage, he would give me a kuTTu (hit with his knuckle) on my tufted head. When I got it right, he offered some of his coffee to me. How can I forget?
Last edited by arasi on 25 May 2016, 06:09, edited 1 time in total.

rshankar
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by rshankar »

Reward (coffee) and punishment (kuTTu), eh??

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

:)

kAmbhOdi: The reason I fell in love with this rAgA was after listening to vidvan Konerirajapuram Vaidyanatha Iyer. I went to his friend Mannargudi Rajagopalan to learn about the rAgA more, and practiced singing it at a high pitch.

Once, when I sang a kAmbhOdi AlApanA, a woman in the audience was so moved by it that she gave a chain she was wearing to her husband and asked him to present it to me! I was in tears. The memory of it still lingers.
Sankaradas Swamy's tAyE mInAkshi in that rAgA is so dear to me.

MOhanam:
Who else can come to mind at the mention of that rAgA? MaharAjapuram Visvanatha Iyer! He lured me into this rAgA. After his singing pancharatna kIrtanAs at the Coimbatore TyAga Brahma utsavam, I requested him to teach me a SlOkam in mOhanam. That very evening, I sang it in my concert, and it was well-received.

KharaharapriyA:
When I was a student at school, I heard SemmanguDi Srinivasa Iyer's pakkala nilabaDi. Inspired by it, I sang it at the school's annual day, and won the first prize. Later, I sang it to him too, and he was mighty pleased. The rAga always reminds me of him.

From an interview with Jikki (chikki?).
(Thanks to Raju Asokan).
Last edited by arasi on 25 May 2016, 06:12, edited 1 time in total.

rshankar
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by rshankar »

Jikki? The famous yesteryear playback singer, J. Krishnaveni?

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

I doubt it, Ravi.If it had been her, Somu would have certainly complimented her on her singing several times.

சிக்கி--it says. We can read the name either as Jikki or chikki.

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

Popular writer and editor Manian was one of Somu's most ardent fans .Here's what he writes about him:

In the gallery of achievers
MADURAI SOMU

About twenty years ago in Nungambakkam, a concert was in progress. I was one of the listeners in that packed hall, getting drenched in that musical downpour.

It isn't easy at all to have a voice of strength and depth as Somu has, and to sing with it in a fine, sweet and fluent manner as he does! How it tugs at our heart strings! To take up complicated svarA patterns, and still have the ability to imbue them with bhAvA and with all its sweetness move us! Not an easy task.

After the concert I met him. We conversed and partook of the pongal served there. The aroma of the pongal and the fine music I heard that day linger on even after two decades and our friendship is as fresh as that memory.

That is Somu.

I have heard hundreds of his concerts since then--in air conditioned halls , as chamber music concerts, in temples, at weddings. A small concert or a grand one makes no difference to him. Fine-tuned rasikAs gather at chamber music concerts, and Somu with his enthusiasm gets carried away, singing for seven to eight hours, oblivious of time.

tODi and kAmbhOdi are his life line, murugan's name, sweet jaggery. This gift from Madurai always sings of mInAkshi. ambAL as kanyAkumari, kASi viSAlAkshi and all the rest residing in temples en route are sung about, and praises of her in all forms are woven into a rAga mAlikA (garland) which he offers to his listeners.
Last edited by arasi on 26 May 2016, 04:00, edited 2 times in total.

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

His joy in singing at temples is yet another thing. Starting from midnight, he sings till five in the morning. At the end of a concert, I would say 'good morning!' to him and go home.

'UN maRandu, uRakkam maRandu' goes the saying (foresaking food and sleep)--Somu lives it when it comes to music.

Somu prefers singing to an audience than singing on the radio. "You need an audience. Looking at their faces as they listen makes me happy", he says with a smile.

RasikAs can't easily leave in the middle of his concerts either. When I tried to, he pointed at me and said, "ManiA, ukkAru" (sit down)!

When I got married, my father-in-law asked what my preferences were regarding the wedding. One thing I was particular about was a Somu's concert. Somu cancelled an already booked concert for the day and sang at our wedding splendidly!

Again, at the launching of my new magazine bAla jOdiDam last year, he did the same thing. Cancelled another concert and gave a treat of a performance for us, including in it a line with my name and vidvAn Lakshmanan's (I guess the astrologer/editor of Manian's new publication--Arasi).

Manian's article continues...

rajeshnat
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by rajeshnat »

arasi wrote:I doubt it, Ravi.If it had been her, Somu would have certainly complimented her on her singing several times.

சிக்கி--it says. We can read the name either as Jikki or chikki.
i agree this person chikki or Jikki may not be the same person as Jikki the singer (wife of AM Raja -the great playback singer)

rajeshnat
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by rajeshnat »

Image
The photos of artists that was published in the writeup of six favourite ragas that somu describes.- somu part 2

rajeshnat
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by rajeshnat »

Image
Madurai Somu photo that is part of Manian writeup -somu 2

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

Rajesh,
Thanks for posting Somu's and of the other vidvAns' pictures with the tamizh text :)
Last edited by arasi on 26 May 2016, 00:20, edited 1 time in total.

RaviSri
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by RaviSri »

kAmbhOdi: The reason I fell in love with this rAgA was after listening to vidvan Konerirajapuram Vaidyanatha Iyer. I went to his friend Mannargudi Rajagopalan to learn about the rAgA more, and practiced singing it at a high pitch.
How could Somu who was born in 1919 have listened to Konerirajapuram who died in 1921, to the extent of falling in love with kAmbhOji at the age of one or two? There is something wrong somewhere.

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

RaviSri,
The reviewer (chikki or Jikki...sweet kaDalai miTTAi or star play-back singer namesake)--might not have taken proper notes? Somu might have said--just my guess--'I love that rAgA. I believe K Vaitha was an expert in it' and in the sum of jotted down notes, he (she) might have made a mistake? Looking at errors like this even today (with all modern modes for recording every single word, we keep finding them now!).

MaheshS
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by MaheshS »

RaviSri wrote:
kAmbhOdi: The reason I fell in love with this rAgA was after listening to vidvan Konerirajapuram Vaidyanatha Iyer. I went to his friend Mannargudi Rajagopalan to learn about the rAgA more, and practiced singing it at a high pitch.
How could Somu who was born in 1919 have listened to Konerirajapuram who died in 1921, to the extent of falling in love with kAmbhOji at the age of one or two? There is something wrong somewhere.
Or he was a la Ravikiran, who identified ragas at the age of two :D

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

RaviSri,
I am looking at the rest of the text in this part. Another fumble: we know from the award ceremony brochure (deivath thamizh manRam) that Somu's debut performance in Tiruchendur was in 1934. Makes sense. Manian, in his article says it was in 1946--way too late! Then we ask: was it a typo?
Last edited by arasi on 26 May 2016, 09:05, edited 1 time in total.

rshankar
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by rshankar »

arasi wrote:Then we ask: was it a typo?
Or just poor reporting, and even poorer editing???

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

A bit of this and a bit of that, I guess. Manian was quite a professional, and after his popularity at VigaDan, he became a seasoned editor and publisher of several magazines. So, let's put it down to poor proofreading. He was very busy with other activities too to be a full-fledged editor.

During one of my short trips to India ages ago, I went to see him to ask him if he would be interested in publishing my novel engirundAlum as a series in idayam. I just walked into his office, and he saw me without any delay. We did not know each other, and he had no clue about me. I said that I live in the US and that the novel is set there. He said he would read it at his earliest, and said cheerfully that he was coming to the US soon. Then, he offered me a cup of coffee, a super one! I remember it as he remembered the pongal at Somu's concert.

As I was leaving, he gave me a print of kAnchi periavA's picture :)

I know very little about him. A warm and welcoming sort he surely was at our meeting...

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

Continuing Manian's article...

He weaves the names of the bride and the groom in a line and sings it at wedding concerts. He would also pose for pictures with them. He loves being photographed. He has a heart of a child. He would get excited over compliments and awards and share the news happily with others. When he was honored by the central and state governments with awards, I remember how happily he shared the news with me. He has an innocent heart, clear of impurities.

His very first step into the music world was a painful incident. He was keen on learning to play the nAdasvaram. When he started his lessons, the chIvaLi poked his mouth and injured him. He was told off for that. Though the loss of lessons hurt his feelings, Somu still thirsted to be a musician. Reluctantly saying goodbye to his nAdasvaram guru Subramainam, he ended up with his namesake, Chittoor!

arasi
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by arasi »

Sorry, repeated post. Deleted.
Last edited by arasi on 26 May 2016, 06:50, edited 1 time in total.

thanjavooran
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Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by thanjavooran »

Arasi,
Excellent!

Rajeshnat,
Thanks.
Thanjavooran
26 05 2016

rajeshnat
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Joined: 03 Feb 2010, 08:04

Re: Given That Title Or Not, They're Our Treasures--Sangitha Kalanidhis...

Post by rajeshnat »

RaviSri wrote:
kAmbhOdi: The reason I fell in love with this rAgA was after listening to vidvan Konerirajapuram Vaidyanatha Iyer. I went to his friend Mannargudi Rajagopalan to learn about the rAgA more, and practiced singing it at a high pitch.
How could Somu who was born in 1919 have listened to Konerirajapuram who died in 1921, to the extent of falling in love with kAmbhOji at the age of one or two? There is something wrong somewhere.
Ravisri
Who else can catch other than the sharp observer that you are . Actually there is a little translation extension , as arasi has said there is no explicit mention that sOmu has *listened * to konnerirajapuram vaidhyanatha iyer directly.

It appears thru hearsay he has learnt from the friend of Konnerirajapuram vaidyanatha iyer - mannarguid rajagopalan . I am exactly quoting verbatim from the thamizh article those sentences .

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