Namastey all,
Please tell me what is the eduppu for Misra Chapu tala song Etula Brotuvo Teliya and Rupaka Tala song Sugunamule of Sri Tyagaraja.
I read the lyrics and meaning of these two songs and observed how the philosophical meaning of both the songs are very similar - admission, repentance etc., Looks like Tyagarajar employed this ragam to evoke the bhava of virakthi. Wonder if this is a pattern with the composer for selecting certain ragas for certain moods? For instance why did he choose to compose both songs of repentance attitude in this ragam - why did not he not compose the second song in this ragam as a happy or optimistic song??
Eduppu for Etula Brotuvo Teliya and Sugunamule
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HarishankarK
- Posts: 2217
- Joined: 27 Oct 2007, 11:55
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thathwamasi
- Posts: 274
- Joined: 12 Aug 2006, 01:15
Re: Eduppu for Etula Brotuvo Teliya and Sugunamule
Etula brothuvo starts after 4 counts from samam in M Chapu.
|; ; Etu |la ; bro ; || thu, vo,|the li| ya;
Sugunamule starts 2 counts after sama in Rupakam
|; Sugu,namu,le |; che pu ko n,ti |
Does that answer your question?
Regards
T
|; ; Etu |la ; bro ; || thu, vo,|the li| ya;
Sugunamule starts 2 counts after sama in Rupakam
|; Sugu,namu,le |; che pu ko n,ti |
Does that answer your question?
Regards
T
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shankarank
- Posts: 4224
- Joined: 15 Jun 2009, 07:16
Re: Eduppu for Etula Brotuvo Teliya and Sugunamule
A rendition that adjusts that a bit will sound vervy.
|; ; E, | tu la ; bro , || , thu, vo |, the li | ya,
with thu vo and te li ya occupying 6 of 7 or 12 of 14 matRas evenly split as 3 , 3 ( or 6, 6). You also get kArvai at bro, , to go over the samam - without the feel of a forced odukkam - sort of smooth over it.
Gives percussionists to do their 3(s) and possibly a caturAsra tisra mEl kalam embellishment when the song concludes
Don't know if this is an approved sangati variation
- but not singing this is not a full justice to tyAgaraja and his vision

|; ; E, | tu la ; bro , || , thu, vo |, the li | ya,
with thu vo and te li ya occupying 6 of 7 or 12 of 14 matRas evenly split as 3 , 3 ( or 6, 6). You also get kArvai at bro, , to go over the samam - without the feel of a forced odukkam - sort of smooth over it.
Gives percussionists to do their 3(s) and possibly a caturAsra tisra mEl kalam embellishment when the song concludes
Don't know if this is an approved sangati variation