Madhuradhwani-Aswath Narayanan Vocal - 08th Jul 2017

[MaheshS]

Madhuradhwani-Aswath Narayanan Vocal - 08th Jul 2017

Aswath Narayanan Vocal
Akkarai Sornalatha Violin
Sumesh Narayanan Mridangam
S Krishna Ghatam

https://www.youtube.com/watch?v=DgBNkNvhEs0

Sarasijanabha - Nattai Varnam - ST
Guru Lekha - Gowri Manohari [S] - T
Arunachalanatham - Saranga - MD
Shankari Shankuru - Saveri [A, NS @ Shyamakrishna Sodhari Shyamale Shathodhari] - SS
Brocheva - Khamas - MV
Thathvameruga - Garudhawani [S] - T
Yaro Ivar Yaro - Bhairavi [A, NS @ kArulAvum shIrulAvum mithilaiyil kannimADam tannil munnE ninravar] - Arunachala Kavi
Thani
Baro Krishnayya - Mand - Kanakadasa
Nadi Thedi Thozhuvar - Bagesri - Arunagirinathar
Thillana - Purnachandrika [?] - ??
Mangalam

Bale bale, very good concert.

[shankarank]

kritis without sAmam (metrical balance) cannot be odukkufied to create sAmam ( music)!

https://youtu.be/DgBNkNvhEs0?t=6652

He falters twice. When will people acknowledge the greatness of the tyAgaraja in these respects and trinity in general! It is not the musician's fault however, it is what listeners want - to listen to words in their language , but we are not doing them justice by not telling them the narratives behind the music!

The second line of this stanza and the last charaNam is fully occupying the AvartA - it does not have the long/short contrast with first line - the musical effect evaporates without the musician unable to land with verve!

ponnAna bhairaviyai urukkicceppiliTTU!

[narayara000]

His Thatvameruga Tharama is as fast as TRS's:

https://www.youtube.com/watch?v=dCL27oEzaag

[narayara000]

why is the first half of the charanam in Yaro Ivar Yaro in 2 kaLai, while the rest of the song is in 1 kaLai?