And to cherish those moments we became CM rasikas without even our knowledge
The very first song that made me a CM Rasika is :
"Rangapura Vihara"
especially the crisp recital by MSS.
My grandma used to sing Enakku Un Irupadam rather than Bhavayami. Used to say this was more popular till the "plate" came out! Rarely heard now a days, another ragamalika gem telling the Ramayana!
Great!
I became fan of Arunachala KaviRayar's compositions after i herd the melting , honey-soked lyrics of
The MSS version on your site is what she used to sing. I have not heard the DKP version at all, would be nice to hear.RSR wrote: ↑21 May 2018, 22:18Great!
Is it the MSS ( earlier) version
https://sites.google.com/site/homage2ms ... iru-patham
or the DKP version from the Ramarajyam (tamil) film?
Can I get DKP mp3?
AVM dubbed Ramarajya (Hindi-Marathi film) in 1947. It was a great hit then . All the original tunes were retained among them 'veeNa madhura ..'*(Beemplas) by Saraswathi Rane ( daughter of Ustad Abdul Karim Khan). Randor Guy's note on the Tamil film may interest you.
celebrated Carnatic musician D. K. Pattammal sang ‘Enakkun irupatham ninaikka ...', narrating the main events of the Ramayana. As she sang, the events were shown on screen in silhouette, a novelty in cinema then. Pattammal sang in ragas Kedaragowla, Shanmughapriya, Bilahari, Dhanyasi, Mayamalawagowla and Mohanam.
(This song was made famous years ago by another icon of Carnatic music, M. S. Subbulakshmi, in a gramophone record brought out by ‘Broadcast' which had the Rising Sun as its logo. This recording company was owned by the well-known jewellers of Madras of that era, Surajmals.)
yes, I do agree nobody else can handle "Mandrasthaayi" sancharas as handled by M D RamanathanSivaramakrishnan wrote: ↑28 May 2018, 12:51 M D Ramanathan singing 'O Jagadamba' (Anandabhairavi) at Trichur Vadakke Samooham Hall in 1963 made me an instant rasika.
I was a boy of 6 then and sitting on the floor with my parents in the audience (no chairs then). I just remember MDR's opening take of the Pallavi which was stunning. He also sang Kedaram alapana (for Paramananda natana) with incredible Mandrasthaayi prayogas.
Later for several years I had the fortune of listening to him at the serene Trivandrum Navaratri Mandapam.