Concert on Nov 3rd - Smt. Kalpakam Swaminathan
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Our Next Stop:
As part of our monthly Chamber Concert series, our Next programme is on
November 3, 2007
Smt. Kalpakam Swaminathan - Veenai
Thanjavur Sri R Kumar - Mrudangam
Time : 5 pm
The concert will feature Muthuswami Dikshitar kritis. A Disciple of mami will be playing along with mami for the concert.
Venue:
Residence of Sri Jeyaraaj and & Smt Jaysri
Flat #12, Shanti Enclave
25 Venkatakrishna Road
Mandaveli
Chennai - 28
Located between Shankara Netralaya and Spencer's Daily. The road is the main road which goes from Mandaveli Bus Stand towards RA Puram, Kaliappa (billroth) Hospital.
Please make yourself convenient to come to the concert.
Starting now, we are planning to start the concert around 5 pm. This is probably a little more comfortable so that people can get back after the concert.
Other upcoming programmes:
November 24, 2007
Sri Prasanna Venkataraman & Party - Vocal concert
Venue: the residence of shyam ('mantra') in Nungambakkam
December 1, 2007
Bangalore Sri S Shankar - Vocal
Smt Charulatha Ramanujam - Violin
Mannargudi Sri Eswaran - Mrudangam
Venue: to be notified later.
With these programmes we will close for the year.
As part of our monthly Chamber Concert series, our Next programme is on
November 3, 2007
Smt. Kalpakam Swaminathan - Veenai
Thanjavur Sri R Kumar - Mrudangam
Time : 5 pm
The concert will feature Muthuswami Dikshitar kritis. A Disciple of mami will be playing along with mami for the concert.
Venue:
Residence of Sri Jeyaraaj and & Smt Jaysri
Flat #12, Shanti Enclave
25 Venkatakrishna Road
Mandaveli
Chennai - 28
Located between Shankara Netralaya and Spencer's Daily. The road is the main road which goes from Mandaveli Bus Stand towards RA Puram, Kaliappa (billroth) Hospital.
Please make yourself convenient to come to the concert.
Starting now, we are planning to start the concert around 5 pm. This is probably a little more comfortable so that people can get back after the concert.
Other upcoming programmes:
November 24, 2007
Sri Prasanna Venkataraman & Party - Vocal concert
Venue: the residence of shyam ('mantra') in Nungambakkam
December 1, 2007
Bangalore Sri S Shankar - Vocal
Smt Charulatha Ramanujam - Violin
Mannargudi Sri Eswaran - Mrudangam
Venue: to be notified later.
With these programmes we will close for the year.
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a reminder!
November 3, 2007
Smt. Kalpakam Swaminathan - Veenai
Sri L Ramakrishnan - Veenai Support
Thanjavur Sri R Kumar - Mrudangam
Time : 5 pm
The concert will feature Muthuswami Dikshitar kritis primarily.
Venue:
Residence of Sri Jeyaraaj and & Smt Jaysri
Flat #12, Shanti Enclave
25 Venkatakrishna Road
Mandaveli
Chennai - 28
Located between Shankara Netralaya and Spencer's Daily. The road is the main road which goes from Mandaveli Bus Stand towards RA Puram, Kaliappa (billroth) Hospital.
Please make yourself convenient to come to the concert.
other programmes coming up.
nov 24th: Sri Prasanna Venkatraman - Kumari Charumathi Raghuraman - Sri B Ganapathi raman. at Sri Shyam (mantra)'s place, lake area, nungambakkam.
dec 1st: Bangalore Sri S Shankar - Smt Charulatha Ramanujam - Mannarugudi Sri Eswaran. at the residence of Smt S Sowmya, Valmiki Nagar, Thiruvanmiyur.
November 3, 2007
Smt. Kalpakam Swaminathan - Veenai
Sri L Ramakrishnan - Veenai Support
Thanjavur Sri R Kumar - Mrudangam
Time : 5 pm
The concert will feature Muthuswami Dikshitar kritis primarily.
Venue:
Residence of Sri Jeyaraaj and & Smt Jaysri
Flat #12, Shanti Enclave
25 Venkatakrishna Road
Mandaveli
Chennai - 28
Located between Shankara Netralaya and Spencer's Daily. The road is the main road which goes from Mandaveli Bus Stand towards RA Puram, Kaliappa (billroth) Hospital.
Please make yourself convenient to come to the concert.
other programmes coming up.
nov 24th: Sri Prasanna Venkatraman - Kumari Charumathi Raghuraman - Sri B Ganapathi raman. at Sri Shyam (mantra)'s place, lake area, nungambakkam.
dec 1st: Bangalore Sri S Shankar - Smt Charulatha Ramanujam - Mannarugudi Sri Eswaran. at the residence of Smt S Sowmya, Valmiki Nagar, Thiruvanmiyur.
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the sole purpose of announcing in a public forum is to draw more people. had it been a private affair, why would it even get posted here...sudarshan wrote:Hi Bharath,
Thanks a lot for the information. Is this a concert open to all? I mean, it wouldn't be ethical to barge in into a private concert.
regards,
Darshan
please make yourself convenient to attend...
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Jeyaraaj & Jaysri : Another q . Can a recording be made off course with the caveat that it will be only for private purposes & shared with those rasikas who may want it?
Bharat : Can you please pass on an advance request to Mami to play the 2 rare krithis of MD namely Sri Nilotpala Nayike in Narireetigaula and Tyagaraja danyam in Durbar, in this concert ? TIA.
Bharat : Can you please pass on an advance request to Mami to play the 2 rare krithis of MD namely Sri Nilotpala Nayike in Narireetigaula and Tyagaraja danyam in Durbar, in this concert ? TIA.
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the concerts are usually recorded by the organising group, and the recordings are usually available for rasikas who want it. hence, u might not have to make a copy yourself. however, if you are going to make one, i guess nobody is going object.raviraj wrote:Jeyaraaj & Jaysri : Another q . Can a recording be made off course with the caveat that it will be only for private purposes & shared with those rasikas who may want it?
Bharat : Can you please pass on an advance request to Mami to play the 2 rare krithis of MD namely Sri Nilotpala Nayike in Narireetigaula and Tyagaraja danyam in Durbar, in this concert ? TIA.
with regard to requests, mami has already been requested to play darbAr at this concert or her concert at Raga Sudha Hall on nov 15th. however, i dont know where she is going to play it. the meticulour planner she is, she was a little sceptic about taking more requests when i spoke to her last week.
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Here's the song list of Smt. Kalpakam Swaminathan's chamber concert held on Nov 3, 2007, in Chennai:
1. karuNimpa idi manci - s'ahANa (varNam) - Adi - Vina Kuppier
2. siddhivinAyakam - chAmaram - rUpaka - muttusvAmi dIkShitar
3. varashikhi vAhana - supradIpam - Adi - tyAgarAja
4. Ananda naTana prakAs'am - kEdAra - mis'ra chApu - muttusvAmi dIkShitar
5. s’rI nIlOtpala nAyikE - nArI rItigauLa - rUpaka - muttusvAmi dIkShitar
6. s’rI mAtah s'ivavAmAnkE - bEgaDa - Adi - muttusvAmi dIkShitar
7. s’rI satyanArAyaNam upAsmahE - s’iva pantuvarALi - rUpaka - muttusvAmi dIkShitar
8. vINAbhEri - AbhErI - Adi - muttusvAmi dIkShitar
9. AbhayAmbA jagadambA - kalyANI - Adi - muttusvAmi dIkShitar
10. s’rI dum durgE - s’rI ranjanI - khaNDa Eka - muttusvAmi dIkShitar
11. vis'wanAthEna samrakShitO'ham - sAmanta - Adi - muttusvAmi dIkShitar
12. simhAsanasthitE - rAgamAlikA - rUpaka - muttusvAmi dIkShitar
My sincere thanks to the organizers from rasikas.org and the hosts Sri Jeyaraaj and Smt Jaysri (VeenaJJ on this forum) for their hospitality and superb arrangements.
L Ramakrishnan (vainika)
1. karuNimpa idi manci - s'ahANa (varNam) - Adi - Vina Kuppier
2. siddhivinAyakam - chAmaram - rUpaka - muttusvAmi dIkShitar
3. varashikhi vAhana - supradIpam - Adi - tyAgarAja
4. Ananda naTana prakAs'am - kEdAra - mis'ra chApu - muttusvAmi dIkShitar
5. s’rI nIlOtpala nAyikE - nArI rItigauLa - rUpaka - muttusvAmi dIkShitar
6. s’rI mAtah s'ivavAmAnkE - bEgaDa - Adi - muttusvAmi dIkShitar
7. s’rI satyanArAyaNam upAsmahE - s’iva pantuvarALi - rUpaka - muttusvAmi dIkShitar
8. vINAbhEri - AbhErI - Adi - muttusvAmi dIkShitar
9. AbhayAmbA jagadambA - kalyANI - Adi - muttusvAmi dIkShitar
10. s’rI dum durgE - s’rI ranjanI - khaNDa Eka - muttusvAmi dIkShitar
11. vis'wanAthEna samrakShitO'ham - sAmanta - Adi - muttusvAmi dIkShitar
12. simhAsanasthitE - rAgamAlikA - rUpaka - muttusvAmi dIkShitar
My sincere thanks to the organizers from rasikas.org and the hosts Sri Jeyaraaj and Smt Jaysri (VeenaJJ on this forum) for their hospitality and superb arrangements.
L Ramakrishnan (vainika)
Last edited by vainika on 04 Nov 2007, 13:20, edited 1 time in total.
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Just adding rAgam,neraval etal... to shri rAmakrishnan's post.
1. karuNimpa idi manci - s'ahANa (varNam) - Adi - Vina Kuppier
2. siddhivinAyakam (R,S)- chAmaram - rUpaka - muttusvAmi dIkShitar
3. varashikhi vAhana (S)- supradIpam - Adi - tyAgarAja
4. Ananda naTana prakAs'am - kEdAra - mis'ra chApu - muttusvAmi dIkShitar
5. s’rI nIlOtpala nAyikE (R)- nArI rItigauLa - rUpaka - muttusvAmi dIkShitar
6. s’rI mAtah s'ivavAmAnkE(R) - bEgaDa - Adi - muttusvAmi dIkShitar
7. s’rI satyanArAyaNam upAsmahE(R,tAnam) - s’iva pantuvarALi - rUpaka - muttusvAmi
dIkShitar
8. vINAbhEri - AbhErI - Adi - muttusvAmi dIkShitar
9A. AbhayAmbA jagadambA (R,tAnam,N,S)- kalyANI - Adi - muttusvAmi dIkShitar
9B.tani
10. s’rI dum durgE(R) - s’rI ranjanI - khaNDa Eka - muttusvAmi dIkShitar
11. vis'wanAthEna samrakShitO'ham - sAmanta - Adi - muttusvAmi dIkShitar
12. simhAsanasthitE - rAgamAlikA - rUpaka - muttusvAmi dIkShitar
This is my first live veena concert experience .Perhaps I needed a coercion of fellow rasikas(especially coolkarni) to persuade me to attend a veena concert. To a great extent , I was almost blank not knowing whether to expect anything from a veena concert. Certainly a kind of conditioning has happened over the last decade where the least I do in vocal concerts is usually race to see the patterns of that days performers to vidwans/vidushis who have given great experience to that krithi ,that neraval that swaram etc.Looks like I cannot drop these experiences of past.
Some how for a long time I have been thinking that rAgas that have a tinge of more subtleness and a suppression of very high expressions come out well when played with veenA. sahAna was beautiful , kalpakam mami's sahAna azhuttam was wonderful.
Shanmughapriya and an annoucement of siddhi vinayagam took me to jAmbhavans semmangudi/sOmu . Did I hear the assertive expression of shanmughapriya, perhaps not .She played it beautifully ,but felt her swara patterns did not bring the great assertive charm of shanmughapriya.
supradipam generally never stays in my head ,she played it good.Her azhuttam style of playing brought great charm to kedAram. reetigowlai + D1 is nArI rItigauLa was played excellently and liked it a lot.
The next begadA was not my cup of tea. Possibly I have to confess when the rAgam is
not the best of my liking , it is little hard to push myself when it is played in veenA. The drop of subha(siva)pantuvarAli was brilliant .The tone of her play just gelled well with the rAgam. tAnam was very nice, she played sri sathyanArayanam with a nice spacing ,really brought the charm and little pathos that the rAga always has.I felt she could have converted that to a main with a nice neraval and swaram.But her decision to stop at the krithi , perhaps just left with a feeling of incompleteness.
The pure Abheri of MD was just ok. If begAdA swings little bit away to my liking, kalyAni takes me too much away.But mAmi did a very nice move .She quickly wrapped the alApana of kalyAni , played a very very good tAnam and the krithi was played quite well with a nice round of neraval and just a quick round of swaram (Makes me think may be is it too difficult to play longer swara patterns in veenA).
The shriranjani was excellent both for its sequence after kalyAni and the charm that it brings. THe next sAmantA was again excellent . If shri rAmakrishnan did not announce it I would have assumed it was thilang(is samAntA close to tillang). The last rAgamaliga was new to me , I think I got shuruTTi? and vasantA ? there.
Ramakrishna gave a great support , I noticed Smt kalpagam mAmi was keeping her veena more horizontal whereas rAmakrishnan was keeping it little slanting. Every pluck had a precise and azhuttam tone from mAmi and she appeared very effortless. The mridangist shri kumAr went with a mandate that I will play soothingly to veena.
JeyarAj's home was very conducive to CM, excellent paintings and picture frames all centered in veena, muthuswami dikshitar etc..
1. karuNimpa idi manci - s'ahANa (varNam) - Adi - Vina Kuppier
2. siddhivinAyakam (R,S)- chAmaram - rUpaka - muttusvAmi dIkShitar
3. varashikhi vAhana (S)- supradIpam - Adi - tyAgarAja
4. Ananda naTana prakAs'am - kEdAra - mis'ra chApu - muttusvAmi dIkShitar
5. s’rI nIlOtpala nAyikE (R)- nArI rItigauLa - rUpaka - muttusvAmi dIkShitar
6. s’rI mAtah s'ivavAmAnkE(R) - bEgaDa - Adi - muttusvAmi dIkShitar
7. s’rI satyanArAyaNam upAsmahE(R,tAnam) - s’iva pantuvarALi - rUpaka - muttusvAmi
dIkShitar
8. vINAbhEri - AbhErI - Adi - muttusvAmi dIkShitar
9A. AbhayAmbA jagadambA (R,tAnam,N,S)- kalyANI - Adi - muttusvAmi dIkShitar
9B.tani
10. s’rI dum durgE(R) - s’rI ranjanI - khaNDa Eka - muttusvAmi dIkShitar
11. vis'wanAthEna samrakShitO'ham - sAmanta - Adi - muttusvAmi dIkShitar
12. simhAsanasthitE - rAgamAlikA - rUpaka - muttusvAmi dIkShitar
This is my first live veena concert experience .Perhaps I needed a coercion of fellow rasikas(especially coolkarni) to persuade me to attend a veena concert. To a great extent , I was almost blank not knowing whether to expect anything from a veena concert. Certainly a kind of conditioning has happened over the last decade where the least I do in vocal concerts is usually race to see the patterns of that days performers to vidwans/vidushis who have given great experience to that krithi ,that neraval that swaram etc.Looks like I cannot drop these experiences of past.
Some how for a long time I have been thinking that rAgas that have a tinge of more subtleness and a suppression of very high expressions come out well when played with veenA. sahAna was beautiful , kalpakam mami's sahAna azhuttam was wonderful.
Shanmughapriya and an annoucement of siddhi vinayagam took me to jAmbhavans semmangudi/sOmu . Did I hear the assertive expression of shanmughapriya, perhaps not .She played it beautifully ,but felt her swara patterns did not bring the great assertive charm of shanmughapriya.
supradipam generally never stays in my head ,she played it good.Her azhuttam style of playing brought great charm to kedAram. reetigowlai + D1 is nArI rItigauLa was played excellently and liked it a lot.
The next begadA was not my cup of tea. Possibly I have to confess when the rAgam is
not the best of my liking , it is little hard to push myself when it is played in veenA. The drop of subha(siva)pantuvarAli was brilliant .The tone of her play just gelled well with the rAgam. tAnam was very nice, she played sri sathyanArayanam with a nice spacing ,really brought the charm and little pathos that the rAga always has.I felt she could have converted that to a main with a nice neraval and swaram.But her decision to stop at the krithi , perhaps just left with a feeling of incompleteness.
The pure Abheri of MD was just ok. If begAdA swings little bit away to my liking, kalyAni takes me too much away.But mAmi did a very nice move .She quickly wrapped the alApana of kalyAni , played a very very good tAnam and the krithi was played quite well with a nice round of neraval and just a quick round of swaram (Makes me think may be is it too difficult to play longer swara patterns in veenA).
The shriranjani was excellent both for its sequence after kalyAni and the charm that it brings. THe next sAmantA was again excellent . If shri rAmakrishnan did not announce it I would have assumed it was thilang(is samAntA close to tillang). The last rAgamaliga was new to me , I think I got shuruTTi? and vasantA ? there.
Ramakrishna gave a great support , I noticed Smt kalpagam mAmi was keeping her veena more horizontal whereas rAmakrishnan was keeping it little slanting. Every pluck had a precise and azhuttam tone from mAmi and she appeared very effortless. The mridangist shri kumAr went with a mandate that I will play soothingly to veena.
JeyarAj's home was very conducive to CM, excellent paintings and picture frames all centered in veena, muthuswami dikshitar etc..
Last edited by rajeshnat on 04 Nov 2007, 19:30, edited 1 time in total.
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Some feedback on uploads of Concerts.
We are yet to upload Audio Video tracks for the Concerts of Manakkal Rangarajan and Srirangam Krishnamachari.
May take some more time.
Kalpagam Swaminathans Concert too will be uploaded in due course of time.But please do not be in a hurry , since these jobs take lots of Time and effort.
Sankara Iyers Concert may not appear here - maybe a few tracks , here and there.
There are three more concerts scheduled , before we wind up for 2007.
THESE CONCERTS ARE OPEN TO ALL .RASIKAS CAN FEEL FREE TO PARTICIPATE.
1.
Vocal Concert by Kum. K.Gayatri & Party [Disciple of Vidushi Smt. Suguna Purushottaman]
Nov 17th
Venue :
Flat No.3 , Door No.7
“Swarna Jayanti Apartmentsâ€
We are yet to upload Audio Video tracks for the Concerts of Manakkal Rangarajan and Srirangam Krishnamachari.
May take some more time.
Kalpagam Swaminathans Concert too will be uploaded in due course of time.But please do not be in a hurry , since these jobs take lots of Time and effort.
Sankara Iyers Concert may not appear here - maybe a few tracks , here and there.
There are three more concerts scheduled , before we wind up for 2007.
THESE CONCERTS ARE OPEN TO ALL .RASIKAS CAN FEEL FREE TO PARTICIPATE.
1.
Vocal Concert by Kum. K.Gayatri & Party [Disciple of Vidushi Smt. Suguna Purushottaman]
Nov 17th
Venue :
Flat No.3 , Door No.7
“Swarna Jayanti Apartmentsâ€
Last edited by rajumds on 05 Nov 2007, 06:56, edited 1 time in total.
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rajumds,
Great to hear from you with all the information and a warm invitation. Hope a lot of 'rasikAs' in Chennai attend the concerts. It is just (immense) distance that keeps many of us away.
I hope those who are in Chennai appreciate their luck that they have a chance to attend chamber music concerts! I know that it needs a lot of hard work and preparation to arrange a concert. We at rasikAs seem to be privileged enough that the performers themselves are eager to play the hosts!
How I wish I were there in India now, than arrive during the season.
Yes, let the music trickle in a little at a time, and we do not want to add to your workload by asking for it when you are busy with the concerts...
Great to hear from you with all the information and a warm invitation. Hope a lot of 'rasikAs' in Chennai attend the concerts. It is just (immense) distance that keeps many of us away.
I hope those who are in Chennai appreciate their luck that they have a chance to attend chamber music concerts! I know that it needs a lot of hard work and preparation to arrange a concert. We at rasikAs seem to be privileged enough that the performers themselves are eager to play the hosts!
How I wish I were there in India now, than arrive during the season.
Yes, let the music trickle in a little at a time, and we do not want to add to your workload by asking for it when you are busy with the concerts...
Last edited by arasi on 05 Nov 2007, 08:34, edited 1 time in total.
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rajumds,
I would be glad to assist you in organizing and uploading the concerts. Shoot me an email offline at [email protected] .
Bharat,
Thanks for having passed on my request for the Narireetigaula piece ! But unfortunately missed attending it
I would be glad to assist you in organizing and uploading the concerts. Shoot me an email offline at [email protected] .
Bharat,
Thanks for having passed on my request for the Narireetigaula piece ! But unfortunately missed attending it

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Tx for bEgaDa. I dont see if there is anything wrong in what I wrote about kalpakam mAmi's music.venkatpv wrote:rajeshnut,
it would be good if you used the transliteration scheme uniformly... and correctly too, if possible... its definitely not begAdA or begadA...
and as far as commenting on Kalpakam mami's music... what can i say?
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The audio recording I made using Audacity and the internal mic on my computer wasn't too good, but anyway here's an excerpt.
http://www.archive.org/details/ShriMatahShivavamanke
I look forward to listening to the professional recording by the organizers...
http://www.archive.org/details/ShriMatahShivavamanke
I look forward to listening to the professional recording by the organizers...
Last edited by vainika on 06 Nov 2007, 10:20, edited 1 time in total.
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simply superb.. thank you.. after hearing mami, i wonder why others even bother singing ! not one person comes even slightly close !!!! how fortunate are those who can learn from mami !! heartfelt thanks again, both to you and to the organizers of this concert !vainika wrote:The audio recording I made using Audacity and the internal mic on my computer wasn't too good, but anyway here's an excerpt.
http://www.archive.org/details/ShriMatahShivavamanke
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Just superb!! I can probably listen to this on repeat for quite a while. Thanks Vainika for the prelude. Right at the start of the krithi, that oscillating gamakam was so right on target and so good. No superlative adjectives do justice to such perfect nuances.vainika wrote:The audio recording I made using Audacity and the internal mic on my computer wasn't too good, but anyway here's an excerpt.
http://www.archive.org/details/ShriMatahShivavamanke
I look forward to listening to the professional recording by the organizers...
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Ramki,
the clip at which Mami and you have played this kriti is interesting -- it is faster than anytime I have heard it before. And boy do her fingers move deftly and with striking clarity in the enunciation of the sAhityam -- particularly at "samyamidhyeya" and "guruguha" in the caraNam madhyamakaalam... sublime !
Your vocal jAru on the opening line of the anupallavi during the repetition is just perfect.
-Srini.
the clip at which Mami and you have played this kriti is interesting -- it is faster than anytime I have heard it before. And boy do her fingers move deftly and with striking clarity in the enunciation of the sAhityam -- particularly at "samyamidhyeya" and "guruguha" in the caraNam madhyamakaalam... sublime !
Your vocal jAru on the opening line of the anupallavi during the repetition is just perfect.
-Srini.
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This concert of Kalpagam mami takes me back to a "concert series" of hers circa 1994 for a lonewolf... it sparked off several such concerts exclusively for Michiganders visting Madras !!!
The "embarrassment of riches" (in a positive vein) include
-----------------------------------------
1) rAga sketches of pUrvikalyani, begaDa, suruTTi etc
2) abhayAmbA jagadambA - kalyANi
3) rAmacandreNa -- mAnji
4) s'rI sarasvati hite -- mAnji
5) cintaya mAkandamUlakandam -- bhairavi
-------------------------------------------
6) pancamAtangamukha -- malahari
7) vINAbheri - Abheri
8) s'rI nIlotpala nAyike -- rItigauLa
9) s'rI varalakshmi -- s'rI
10) santAna rAma svAminam -- hindolavasantam
11) bhaktavatsalam abhishekavallIyuktam -- vams'avatI
12) brhannAyaki -- AndhAli
-----------------------------------------------
13) tyAgarAjO virAjate -- aTANA
14) inta calamu (varNam) -- in a simulation of Veena Dhanammal's style
15) Ehi manmata kOTi (varNam) -- s'rIranjani - Tiger
16) varNam and nIrajakshi kAmAkshi -- hindolam
17) sadacales'varam -- bhUpAlam
18) sadAs'raye abhayAmbike -- cAmaram
---------------------------------------------------
19) hasti vadanAya namastubhyam -- navaroj
20) gaurI girirAja kumArI -- gaurI
21) tyAgarAjAya namaste -- bEgaDA
22) s'rI mAtA -- bEgaDa
23) siddhIs'varAya namaste -- nIlAmbarI
24) tyAgarAjam bhajeham -- nIlAmbarI
25) krishnAnanda mukunda -- gauLipantu
26) sArasa dala nayana -- kamAs
-----------------------------------------------------
The "embarrassment of riches" (in a positive vein) include
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1) rAga sketches of pUrvikalyani, begaDa, suruTTi etc
2) abhayAmbA jagadambA - kalyANi
3) rAmacandreNa -- mAnji
4) s'rI sarasvati hite -- mAnji
5) cintaya mAkandamUlakandam -- bhairavi
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6) pancamAtangamukha -- malahari
7) vINAbheri - Abheri
8) s'rI nIlotpala nAyike -- rItigauLa
9) s'rI varalakshmi -- s'rI
10) santAna rAma svAminam -- hindolavasantam
11) bhaktavatsalam abhishekavallIyuktam -- vams'avatI
12) brhannAyaki -- AndhAli
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13) tyAgarAjO virAjate -- aTANA
14) inta calamu (varNam) -- in a simulation of Veena Dhanammal's style
15) Ehi manmata kOTi (varNam) -- s'rIranjani - Tiger
16) varNam and nIrajakshi kAmAkshi -- hindolam
17) sadacales'varam -- bhUpAlam
18) sadAs'raye abhayAmbike -- cAmaram
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19) hasti vadanAya namastubhyam -- navaroj
20) gaurI girirAja kumArI -- gaurI
21) tyAgarAjAya namaste -- bEgaDA
22) s'rI mAtA -- bEgaDa
23) siddhIs'varAya namaste -- nIlAmbarI
24) tyAgarAjam bhajeham -- nIlAmbarI
25) krishnAnanda mukunda -- gauLipantu
26) sArasa dala nayana -- kamAs
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srini, u r making me recollect all those sessions of mami playing and all my listening (with a few frnds) at her place over the past 2-3 years, since when she knows me.
annapUrNE visAlAkshi, hATakEsvara samrakshamAm, siddIsvarAya namastE, angArakam AshrayAmi, sEshAcala nAyakam bhajAmi, Ehi trijagadISA, nIvE gANi (apart from those that are listed) and many more such gems.. both on the vINai and/or her voice.
annapUrNE visAlAkshi, hATakEsvara samrakshamAm, siddIsvarAya namastE, angArakam AshrayAmi, sEshAcala nAyakam bhajAmi, Ehi trijagadISA, nIvE gANi (apart from those that are listed) and many more such gems.. both on the vINai and/or her voice.
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... and my need to open and save files between songs probably accounts for rajeshnat's astute observation that I was holding the veena in a little slanting (vINA-MacNotepustaka-dhAraNa?) positionsbala wrote:Vainika - That explains some unanswered questions. A few of us were wondering what the Mac was doing in a vina concert.

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this is what i had felt about the concert of mami:
Sitting in the small-balcony-garden of a flat in the 4th floor of a building on a busy road in mandaveli, one was treated to some divine music which is tough to explain by words. it is at such instances that one really is short of words to explain the feeling.
Each piece was presented with such precision and what a careful selection of pieces and ordering. It was an evening of blissful music. i m in tears even trying to write this post, such was the music.
The AlApanais of nArirItigauLa, bEgaDa, shiva pantuvarALi and its tAnam... well, mami was telling us in her own sweet way, that carnatic music, especially on vINai, has no parallels to it. It is a unique music of its own kind which cannot be matched.
Kalpakam mami began with sahAnA varNam. The cAmaram kriti was rendered with a nice AlApanai and a beautiful round of svarams. The supradIpam piece was presented neatly with a neater set of svarams. The kEdAram kriti was inspiring.
Next came the first detailed AlApanai of the day. Well, it was nArirItigauLA. The new flavour and feeling suddha dhaivatam brings into the rAgam which otherwise goes along the lines of the popular rItigauLa, was superb. The AlApanai and the kriti were presented creating a nice mood to listen. The bEgaDa AlApanai was done very well. After listening to a lec-dem on bEgaDa just about a week, this was like a true demonstration to what is bEgaDa. All the special prayOgams, the aprati madhyamam shown in its place, it was amazing. The kriti, another heavy weight, was presented beautifully.
shivapantuvarALi was the next in line. As mami was playing that soothing AlApanai, i was praying in the darkest corners of my mind for a tAnam. and it got answered. It was a beautifully presented tAnam and the kriti was rendered amazingly also.
It was the day of suddha dhaivatam probably. The beauty this particular svaram adds to a ragam was again illustrated in AbhEri.
After all this fair, the main kalyANi was a little surprising. However, her presentation of the rAgam, tAnam and the kriti with neraval and svarams was very nice and fitting for the main piece of the day.
The srI ranjani AlApanai was done beautifully. The kriti, a tad slower than the popular versions, was nice to listen. This concert wasn't going lighten at all. The sAmantA AlApanai and kriti were good.
Each kriti deserved better adjectives and more and more superlatives and none of them would actually be enough to describe the music. The sight of the old lady with her vINai on her lap, strumming it to produce divine music with utmost precision of the notes and their gamakkams and the azhuttam she produces, well, Music is definitely god given.
Sri Ramakrishnan provided very good support and played the vINai well. Sri Kumar on the mrudangam played in tune with what was presented thro' the concert. His tani was nice as well.
It was a concert where everything fell in place and 'kacchidam' is the only word i can say...
PS: this was the first concert at our group which went without any speech. i hope this trend will follow...
Sitting in the small-balcony-garden of a flat in the 4th floor of a building on a busy road in mandaveli, one was treated to some divine music which is tough to explain by words. it is at such instances that one really is short of words to explain the feeling.
Each piece was presented with such precision and what a careful selection of pieces and ordering. It was an evening of blissful music. i m in tears even trying to write this post, such was the music.
The AlApanais of nArirItigauLa, bEgaDa, shiva pantuvarALi and its tAnam... well, mami was telling us in her own sweet way, that carnatic music, especially on vINai, has no parallels to it. It is a unique music of its own kind which cannot be matched.
Kalpakam mami began with sahAnA varNam. The cAmaram kriti was rendered with a nice AlApanai and a beautiful round of svarams. The supradIpam piece was presented neatly with a neater set of svarams. The kEdAram kriti was inspiring.
Next came the first detailed AlApanai of the day. Well, it was nArirItigauLA. The new flavour and feeling suddha dhaivatam brings into the rAgam which otherwise goes along the lines of the popular rItigauLa, was superb. The AlApanai and the kriti were presented creating a nice mood to listen. The bEgaDa AlApanai was done very well. After listening to a lec-dem on bEgaDa just about a week, this was like a true demonstration to what is bEgaDa. All the special prayOgams, the aprati madhyamam shown in its place, it was amazing. The kriti, another heavy weight, was presented beautifully.
shivapantuvarALi was the next in line. As mami was playing that soothing AlApanai, i was praying in the darkest corners of my mind for a tAnam. and it got answered. It was a beautifully presented tAnam and the kriti was rendered amazingly also.
It was the day of suddha dhaivatam probably. The beauty this particular svaram adds to a ragam was again illustrated in AbhEri.
After all this fair, the main kalyANi was a little surprising. However, her presentation of the rAgam, tAnam and the kriti with neraval and svarams was very nice and fitting for the main piece of the day.
The srI ranjani AlApanai was done beautifully. The kriti, a tad slower than the popular versions, was nice to listen. This concert wasn't going lighten at all. The sAmantA AlApanai and kriti were good.
Each kriti deserved better adjectives and more and more superlatives and none of them would actually be enough to describe the music. The sight of the old lady with her vINai on her lap, strumming it to produce divine music with utmost precision of the notes and their gamakkams and the azhuttam she produces, well, Music is definitely god given.
Sri Ramakrishnan provided very good support and played the vINai well. Sri Kumar on the mrudangam played in tune with what was presented thro' the concert. His tani was nice as well.
It was a concert where everything fell in place and 'kacchidam' is the only word i can say...
PS: this was the first concert at our group which went without any speech. i hope this trend will follow...

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Next excerpt:
http://www.archive.org/details/shrIsatyanArAyaNam
I missed recording the first 20 secs or so of the AlApanA.
http://www.archive.org/details/shrIsatyanArAyaNam
I missed recording the first 20 secs or so of the AlApanA.
Last edited by vainika on 06 Nov 2007, 23:41, edited 1 time in total.
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