TNS at Rathnagirshwarar Temple
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- Posts: 586
- Joined: 03 Feb 2010, 00:23
Shri Madurai TN Seshagopalan - Vocal
Shri Delhi Muthukumar - Vocal Support
Shri VV Ravi - Violon
Shri Trichur Narendran - Mrudangam
An absolutely amazing concert by TNS. One to remember for a long time to come.
1) Shri Raga Varnam - S
2) Nadopasana - Begada - S
3) Nada Thanumanisham - Chitharanjani - S (Swarams at SRGMPDN)
4) Ananda Nadamaduvar - Purvikalyani - AS
5) Detailed Virutham in Dwijavanthi followed by Appa Naan Vendudhal - Dwijavanthi
6) Ardhanarishwaram - Kumudakriya - A
7) Enneramum - Devagandhari
8) Bhava Sagaram - Shanmukhapriya - NS
9) RTP - Kapi - Khanda Triputa - Ragamalika Swarams in Hindolam, Neelambari, Bowli
10) Ragamalika Virutham followed by Chandrachuda-Dasar Devarnama
11) Mangalam
It was a great concert. The ambience of the temple was very good with Rasikas sitting on the floor. A few artistes too were there, some senior Vidwans as well.
Starting off at around 7 PM with the Shri Raga Varnam, TNS went on to sing Nadopasana. The great Krithi that it is, it deserved the round of Swarams. Then the Chitharanjani Krithi was rendered soothingly with a fine round of Swarams at SRGMPDN. The Purvikalyani piece was also sung well. The Swarams here were very elaborate with Kanakku. Then, a detailed Virutham was sung in Dwijvanthi followed by the song. Very emotive rendition. Kumudakriya Alapanai was refreshing and the Dikshithar Krithi was sung with the usual TNS Briga laden Sangathis. Enneramum was leisurely. Bhava Sagaram with rapid Neraval and Swaram set the stage for the centre piece.
The Kapi Alapanai was very elaborate and went on for atleast 15-20 minutes. The Tanam was good and then TNS announced that the organiser had called him at 4:30 and requested that Kapi be sung as main(later testified by the organiser in his speech). He had decided to sing Intha Sowkhya but then the occasion stimulated him to opt for a Pallavi after the elaborate Ragam. His Manodharmam during the Ragam was wonderful. He said he had composed the Pallavi on stage and set it to Khanda Triputa Talam. The Pallavi line was something like Unnai Thudhikka Nee Enakku Arul Tha Ka Pinakapane (hope I got it right). Ragamalika was in Hindolam, Neelambari, Bowli and then back to Kapi (thoughtful sequencing).
One nice mentionable feature. By the time, TNS started Kapi, it was 8:40 and he went on upto 9:40 before he gave Thani. And just before the Thani, he made a request to the Rasikas saying he had got carried away with the Pallavi and so didn't take note of the time. He requested the Rasikas to stay behind for the Thani and that he would wind up with only a Devarnama after that. Not a single Rasika present till then left during the Thani.
Then there were the customary speeches after the Thani. And TNS wound up at around 10:15 PM with a short Ragamalika Virutham followed by a Dasar Devarnama.
Shri VV Ravi and Shri Trichur Narendran gave admirable support throughout. The Thani too was nice.
Overall, one of the best concerts I have attended in recent times.
Sathej
Shri Delhi Muthukumar - Vocal Support
Shri VV Ravi - Violon
Shri Trichur Narendran - Mrudangam
An absolutely amazing concert by TNS. One to remember for a long time to come.
1) Shri Raga Varnam - S
2) Nadopasana - Begada - S
3) Nada Thanumanisham - Chitharanjani - S (Swarams at SRGMPDN)
4) Ananda Nadamaduvar - Purvikalyani - AS
5) Detailed Virutham in Dwijavanthi followed by Appa Naan Vendudhal - Dwijavanthi
6) Ardhanarishwaram - Kumudakriya - A
7) Enneramum - Devagandhari
8) Bhava Sagaram - Shanmukhapriya - NS
9) RTP - Kapi - Khanda Triputa - Ragamalika Swarams in Hindolam, Neelambari, Bowli
10) Ragamalika Virutham followed by Chandrachuda-Dasar Devarnama
11) Mangalam
It was a great concert. The ambience of the temple was very good with Rasikas sitting on the floor. A few artistes too were there, some senior Vidwans as well.
Starting off at around 7 PM with the Shri Raga Varnam, TNS went on to sing Nadopasana. The great Krithi that it is, it deserved the round of Swarams. Then the Chitharanjani Krithi was rendered soothingly with a fine round of Swarams at SRGMPDN. The Purvikalyani piece was also sung well. The Swarams here were very elaborate with Kanakku. Then, a detailed Virutham was sung in Dwijvanthi followed by the song. Very emotive rendition. Kumudakriya Alapanai was refreshing and the Dikshithar Krithi was sung with the usual TNS Briga laden Sangathis. Enneramum was leisurely. Bhava Sagaram with rapid Neraval and Swaram set the stage for the centre piece.
The Kapi Alapanai was very elaborate and went on for atleast 15-20 minutes. The Tanam was good and then TNS announced that the organiser had called him at 4:30 and requested that Kapi be sung as main(later testified by the organiser in his speech). He had decided to sing Intha Sowkhya but then the occasion stimulated him to opt for a Pallavi after the elaborate Ragam. His Manodharmam during the Ragam was wonderful. He said he had composed the Pallavi on stage and set it to Khanda Triputa Talam. The Pallavi line was something like Unnai Thudhikka Nee Enakku Arul Tha Ka Pinakapane (hope I got it right). Ragamalika was in Hindolam, Neelambari, Bowli and then back to Kapi (thoughtful sequencing).
One nice mentionable feature. By the time, TNS started Kapi, it was 8:40 and he went on upto 9:40 before he gave Thani. And just before the Thani, he made a request to the Rasikas saying he had got carried away with the Pallavi and so didn't take note of the time. He requested the Rasikas to stay behind for the Thani and that he would wind up with only a Devarnama after that. Not a single Rasika present till then left during the Thani.
Then there were the customary speeches after the Thani. And TNS wound up at around 10:15 PM with a short Ragamalika Virutham followed by a Dasar Devarnama.
Shri VV Ravi and Shri Trichur Narendran gave admirable support throughout. The Thani too was nice.
Overall, one of the best concerts I have attended in recent times.
Sathej
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- Posts: 1030
- Joined: 19 Feb 2006, 18:53
Well, a question like that could have any answer. Maybe the organizor knows people attending who are dying to hear that particular main, or maybe the organizor is the one dying to hear the particular main.s_hari wrote:Why does the organizer request the artist to sing a particular main item? Is that because he / she is a rasika first, and then organizer?
-hari

Last edited by Vocalist on 02 Mar 2008, 11:05, edited 1 time in total.