1.jAnaki pathE(??,,S) - kharaharapriyA - p.Sivan
2. nannu brOvumani ceppavE (R N)- kalyAni - BharAchalam RAmadAs
neraval at "adrija vinutuDu bhadragirIshuDu"
3A. kari kalAbA (R, NS,S) - sAveri - MD
brief neraval at "mUlAdhArA chatura pankaja madhya dhAram"
3B. tani
4. ranga bArO - mAnd -PD
5. varugalAmO - mAnji - GKB
6. gAyati vanamAli - durgA ???? - sadhAshiva brahmEndrA
7. bhujaga sayeenO nAma mangalam - yk kAmbOdhi - ST
The concert though a full bench kutcheri was only for 1 hour 40 minutes . The concert started 5 minutes early just entered half way with his kharaharapriyA and his voice appeared well settled . kalyAni alApanai was very good with though there were few sangathis that was sagging , a rare BMK popularized krithi followed .TMK was at his best , one of the finest neravals in kalyAni , he sang wonderfully in high speed fashion .
sAveri alApanai was presented quite well , one of the best numbers in sAveri was this Dikshitar's main connecting dudhi ganEsham with vinayAka chaturthi was excellent . His swaras in early half was centering beautifully in the sAveri tranquility zone , just when I wished he stayed more there , he sang fast volley of swaras , just felt possibly he could have made overall swaras little more expansive .
ranga bArO was a low key rendition , the gAyati vanamAli was nice and emotive . YK kAmbOdhi could have been sung little more slower. The missing feeling of sAveri swaras in vilambakAlam was completely offset by his wonderful top notch rendition of varugalAmO in mAnji , especially in the lines "karai kaDanthEN"
and a long silence followed by "sharanam aDaiNDEN", brilliantly


The accompanist were all just good, tv vAsan's idling was quite well compensated by kannan's mOrsing . Durai sir's play is not that suited to my taste , there were few taps more resembling thavil style that was nice , but to an extent there is a noticable delay that did not gel too well with TMK's rendition.