This was something I've been thinking about, but the new thread by Preposterous reminded me to post about it.
Since every concert needs (an electronic shruti box and) a tambura, why can't sabhas keep one each of these, along with sound systems? I am not that sure about the tambura ... any artists here may please say if they would be happier to strum their own tambura instead, even if they need to carry it all the way to the concert hall.
Shruti instruments
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Nick H
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- Joined: 03 Feb 2010, 02:03
Very likely true, especially with the tambura.
An electronic box can be expected to be more or less constant; a stringed instrument will depend on having proper care and attention. I'm sure Martin, who shared a lot of tampura lore with us a while back, would be horrified by the idea of a communal instrument, left in the corner with the brooms and mic stands between concerts.
An electronic box can be expected to be more or less constant; a stringed instrument will depend on having proper care and attention. I'm sure Martin, who shared a lot of tampura lore with us a while back, would be horrified by the idea of a communal instrument, left in the corner with the brooms and mic stands between concerts.
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mri_fan
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- Joined: 15 Aug 2006, 22:12
Just some things to consider;
Even with electronic thamburas, there are slight differences in sruthis
Musicians may also feel more comfortable using whatever thambura they practice with, because there are variations in the drone timing between different brands.
Also, not all musicians sing at exactly 5,or 3, or 1, etc...some will be just a tad higher than 1, and will want to make sure that they use their own box which they'll be confident is at the exact pitch they want.
There is also a superstition (probably believed by the older generations), that switching a thambura is a sign of bad luck to come, and will therefore resist such a change.
Even with electronic thamburas, there are slight differences in sruthis
Musicians may also feel more comfortable using whatever thambura they practice with, because there are variations in the drone timing between different brands.
Also, not all musicians sing at exactly 5,or 3, or 1, etc...some will be just a tad higher than 1, and will want to make sure that they use their own box which they'll be confident is at the exact pitch they want.
There is also a superstition (probably believed by the older generations), that switching a thambura is a sign of bad luck to come, and will therefore resist such a change.
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arasi
- Posts: 16877
- Joined: 22 Jun 2006, 09:30
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Nick H
- Posts: 9473
- Joined: 03 Feb 2010, 02:03
M-o-r-s-i-n-g, as far as I know --- but since when did I know much about Indian language?
There are those who like to render it approaching Moohorseing --- perhaps they consider it better suited to the farmyard? some people do not like the instrument!
I understand that our Rajasthani cousins call it the morchang, and that does have more onomatopoeia perhaps.
Dr John Marr, In London (Probably one of the few end-of-concert speech makers who can actually say, "I haven't heard that song since 1938," and go on to describe the artist, the accompaniment and all) told me once that the word came from (err.. I think he said...) Afghanistan.
Hmmm... I bet one of our learned forumites knows!
There are those who like to render it approaching Moohorseing --- perhaps they consider it better suited to the farmyard? some people do not like the instrument!
I understand that our Rajasthani cousins call it the morchang, and that does have more onomatopoeia perhaps.
Dr John Marr, In London (Probably one of the few end-of-concert speech makers who can actually say, "I haven't heard that song since 1938," and go on to describe the artist, the accompaniment and all) told me once that the word came from (err.. I think he said...) Afghanistan.
Hmmm... I bet one of our learned forumites knows!
Last edited by Guest on 20 Jan 2009, 01:10, edited 1 time in total.