Guru Vandana for Calcutta Sri K S Krishnamurthy
Organised by Carnatica in Raga Sudha Hall on 24 May 2009
sarasUDa (varNam) - sAvEri - Adi (sketch, S)
kula birudunu - dEvamanOhari - rUpakam - T
peN koDuttadArayya? - kuntaLa varALi - Adi - KSK
kanugonu saukhyamu - nAyaki - rUpakam (R) - T
nAdOpAsana - bEgaDa - dEshAdi (R) - T
nenaruncinAnu - mALavi - Adi - T
EkAmrEsha nAyaki - cAmaram / Shanmukhapriya - Adi-2 (RNST) - MD?
nI mATalE - pUrvi kalyANi - Adi
pavamAna sutuDu - saurAShTram - Adi - T followed by shlokam in madhyamAvati
The sheer seriousness with which sAvEri was sung was so moving. sAvEri just is made for seriousness! Before the kuntaLa varALi piece, Vidushi Vedavalli said that after learning the piece, for a long time, she'd been asking around for who'd composed it, until finally she asked the same thing of KSK.

She also said that like her, he also devoted himself to preserving the traditional pAThAntarams of songs, and made a mention of having heard the varALi pancaratnam in the older pAThAntaram she also sings in Calcutta by his students.
nAyaki was wonderfully explored. This was the first nAyaki for me ever, but I could tell it was nAyaki because I'd heard about it. What a ragam! What a song! (Surely now someone is going to point me to an MD composition in nAyaki.)
There was less Parur brigha from MAK today, except traces in the cAmara AlApanai and the varNam's caraNam line where swarams were exchanged.
The supporting vocalist indeed played a great role in the concert. She sang neravals and swarams and parts of the bEgaDa and cAmara AlApanais very aptly, taking from where Vidushi Vedavalli left for her.
MAK gaves good replies to the sAvEri and cAmara swaras and played a good bEgaDa too.
KAP played with superb anticipation for kalpita and manOdharma parts, and played such a nice tani that Vidushi Vedavalli herself broke into a few words in appreciation for it.