Hydearbad brothers, Lemont temple, Chicago, oct 23, 2009
-
- Posts: 419
- Joined: 28 Sep 2008, 23:07
Hyderabad brothers
Sri. Nagai Sriram
Sri. J. Vaidyanathan
Lemont temple, Chicago, Thyagaraja utsavam
Bhiaravi - ViribonI, Ata thAla varnam
NAttai - NinnE bhajana, Adi, Thyagaraja
AsAvEri - RamachandRulU nApai Seethamma -kanda chApu, BadrAchala RAmadAs (?)
Arabi - Nadha sudhA rasa, roopakam, Thyagaraja (A, S)
ShanmukhapriyA - mariverE dhikkeverayya RAmA, Adi, PaTnam Subramanya Aiyyar(A, N at MariverE, S)
A short piece in BalahamsA by Saint ThyAgarAja (Didn’t write it down, as my mind wandered off a while catching the puliyOdarai aroma wafting from the temple kitchen)
Hari kAmbhOji - dhina mani vamsa, adi, ThyagarAja ( A)
Thani Avarthanam
REvathi -RTP
Pallavi Text:
KA UmA UmA mA MAthangi MaragathAngi
Chathusra triputa, 2 kalai, eduppu at samam
NavarasakannadA - Nan orU vilayAttu bomiAh
Shudda DanyAsi - NarAyanA - mishra chApu, Purandara dAsar
Mangalam
My thoughts:
The concert was a part of their Thyagaraja utsavam and the brothers through a meditative dreamscape squeezed out the cosmic aura of the saint composer with their intense diction and sustained tones.
Their trademark ninnE bhajana came with intense lyricism.
In arabi raga alapana, Sri. Seshachari’s took artistic license, peppered it with ustAdi touches meandered between his artistic expression and classical symmetries, which I thought was quite charming.
Ragavachari’s shanmukhapriya alapana was quite unpretentious, hovering around the middle registers with classical serenity.
In revathi raga alapana and thAnam by Sri. Seshachari, he brought the poignant expressivity of the raga to the fore.
Sri. Sriram, nephew of Sri. Nagai. Muralidaran accompanied well with his fluid playing and Sri. Vaidyanathan’s elegant anticipatory playing was polished with technical excellence.
The concert was well attended with plenty of younger generation keeping thalam on a rainy friday evening and it was inspiring to watch the brothers hook the imagination of a new generation of fans as Sri. Seshachari broke into explaining the meaning of some of the compositions and revel at the thought process of the great vaggeyakaras with such intense emotion...
Sri. Nagai Sriram
Sri. J. Vaidyanathan
Lemont temple, Chicago, Thyagaraja utsavam
Bhiaravi - ViribonI, Ata thAla varnam
NAttai - NinnE bhajana, Adi, Thyagaraja
AsAvEri - RamachandRulU nApai Seethamma -kanda chApu, BadrAchala RAmadAs (?)
Arabi - Nadha sudhA rasa, roopakam, Thyagaraja (A, S)
ShanmukhapriyA - mariverE dhikkeverayya RAmA, Adi, PaTnam Subramanya Aiyyar(A, N at MariverE, S)
A short piece in BalahamsA by Saint ThyAgarAja (Didn’t write it down, as my mind wandered off a while catching the puliyOdarai aroma wafting from the temple kitchen)
Hari kAmbhOji - dhina mani vamsa, adi, ThyagarAja ( A)
Thani Avarthanam
REvathi -RTP
Pallavi Text:
KA UmA UmA mA MAthangi MaragathAngi
Chathusra triputa, 2 kalai, eduppu at samam
NavarasakannadA - Nan orU vilayAttu bomiAh
Shudda DanyAsi - NarAyanA - mishra chApu, Purandara dAsar
Mangalam
My thoughts:
The concert was a part of their Thyagaraja utsavam and the brothers through a meditative dreamscape squeezed out the cosmic aura of the saint composer with their intense diction and sustained tones.
Their trademark ninnE bhajana came with intense lyricism.
In arabi raga alapana, Sri. Seshachari’s took artistic license, peppered it with ustAdi touches meandered between his artistic expression and classical symmetries, which I thought was quite charming.
Ragavachari’s shanmukhapriya alapana was quite unpretentious, hovering around the middle registers with classical serenity.
In revathi raga alapana and thAnam by Sri. Seshachari, he brought the poignant expressivity of the raga to the fore.
Sri. Sriram, nephew of Sri. Nagai. Muralidaran accompanied well with his fluid playing and Sri. Vaidyanathan’s elegant anticipatory playing was polished with technical excellence.
The concert was well attended with plenty of younger generation keeping thalam on a rainy friday evening and it was inspiring to watch the brothers hook the imagination of a new generation of fans as Sri. Seshachari broke into explaining the meaning of some of the compositions and revel at the thought process of the great vaggeyakaras with such intense emotion...
Last edited by kedharam on 25 Oct 2009, 00:33, edited 1 time in total.
-
- Posts: 41
- Joined: 26 Jul 2009, 00:05
-
- Posts: 419
- Joined: 28 Sep 2008, 23:07
-
- Posts: 91
- Joined: 27 Oct 2007, 03:41
Thank you Kedaram for a good review but it was painful to hear we missed great concert by Brothers and puliyodarai as well. Nice combination on a fall day in Chicago.
Heard their Arabhi in Singapore long time back, just amazing. I was fortunate to listen to their Dinamani in Chennasi last year, simply superb for lack of better words. Not an easy raga to handle.
Looking forward to attend their concert in San Diego
Heard their Arabhi in Singapore long time back, just amazing. I was fortunate to listen to their Dinamani in Chennasi last year, simply superb for lack of better words. Not an easy raga to handle.
Looking forward to attend their concert in San Diego
-
- Posts: 8
- Joined: 16 Mar 2009, 21:16
-
- Posts: 91
- Joined: 27 Oct 2007, 03:41