I heard this at a performance by M. Sarukkai in Chennai ... my notes are very sketchy though.
Ragam Nattai - Tandavesaka ... Natane ... Thai - thai - tha thi ki Na thom ...
Galitho noopuro ... Shirago, Kandho...
Anantha Tandava sabdanaam...
I believe the item is available in one of Doordarshan's dance VCDs.
Can someone provide the lyrics please?
Lyrics- Nataraja Tandavam
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mohan
- Posts: 2808
- Joined: 03 Feb 2010, 16:52
Tandavesaja vara natane
Thri shabdha pada thandava nata
Thai thai thai thadheenginathom
thai thai thai thadheenginathom
Tandavesaja vara natane
Thri shabdha pada thandava nata
Galitho noopura vegena unmruthya vachane sivaha
Akshamaruthi samya gevam chinthayam karunanidhiye
Viraha kandoru dwaje saktha januna samaye viraha
Kandaya noopurou ashrayam loka shankaraha
Tha,,, dhi,,, thom,,, nam,,,-2 slow, 1 medium, 2 fast
Tha,, dhi,, thom,, nam- tisram
Tha dhith thom num
Dhith thom num
Thom num
Thath dhith thom num
Tha"¦ "¦thakita kita thaka
Dhi"¦"¦.dhikita kita thaka
Thom"¦ thomkita kita thaka
Nam"¦.. namkita kita thaka
Tha thakita,
dhi dhikita,
thom thomkita,
num numkita
Thakita, dhikita,thomkita,numkita
Thakitathaka tha, dhikitathaka dhi
Thomkitathaka thom, numkitathaka num
Thakita kitathaka
dhikita kitathaka,
thomkita kitathaka,
numkita kitathaka
Thakita, dhikita,thomkita,numkita
Thaku dhiku dheeyinam, thomku dhiku dheeyinam
Thath dhith thom num Thath dhith thom num
thadha shabhdho jatho noopura vegathaha
anantha thala shabhdhanam uthpatham moola karanam
jathis
Tandavesaja vara natane
Thri shabdha pada thandava nata
Tandavesaja vara natane
Thai thai thai thadheenginathom, thai thai thai thadheenginathom
Tandavesaja vara natane
***
This piece in Hamsadhwani was specially composed by Sri Seetarama Sharma for Malavika Sarukkai.
Thri shabdha pada thandava nata
Thai thai thai thadheenginathom
thai thai thai thadheenginathom
Tandavesaja vara natane
Thri shabdha pada thandava nata
Galitho noopura vegena unmruthya vachane sivaha
Akshamaruthi samya gevam chinthayam karunanidhiye
Viraha kandoru dwaje saktha januna samaye viraha
Kandaya noopurou ashrayam loka shankaraha
Tha,,, dhi,,, thom,,, nam,,,-2 slow, 1 medium, 2 fast
Tha,, dhi,, thom,, nam- tisram
Tha dhith thom num
Dhith thom num
Thom num
Thath dhith thom num
Tha"¦ "¦thakita kita thaka
Dhi"¦"¦.dhikita kita thaka
Thom"¦ thomkita kita thaka
Nam"¦.. namkita kita thaka
Tha thakita,
dhi dhikita,
thom thomkita,
num numkita
Thakita, dhikita,thomkita,numkita
Thakitathaka tha, dhikitathaka dhi
Thomkitathaka thom, numkitathaka num
Thakita kitathaka
dhikita kitathaka,
thomkita kitathaka,
numkita kitathaka
Thakita, dhikita,thomkita,numkita
Thaku dhiku dheeyinam, thomku dhiku dheeyinam
Thath dhith thom num Thath dhith thom num
thadha shabhdho jatho noopura vegathaha
anantha thala shabhdhanam uthpatham moola karanam
jathis
Tandavesaja vara natane
Thri shabdha pada thandava nata
Tandavesaja vara natane
Thai thai thai thadheenginathom, thai thai thai thadheenginathom
Tandavesaja vara natane
***
This piece in Hamsadhwani was specially composed by Sri Seetarama Sharma for Malavika Sarukkai.
Last edited by mohan on 25 Sep 2006, 05:37, edited 1 time in total.
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rshankar
- Posts: 13754
- Joined: 02 Feb 2010, 22:26
Norita,
No clue about the translation, but what I understood from the DD VCD is this: Once when SivA was immersed in his tAnDava, a small bell broke loose from his anklets, and streaked across the sky like a meteorite headed for earth. The sages and munIs prayed to Siva to prevent calamity from striking. Granting their wishes, he allows the bell to fall on his head, where his matted locks absorb most of the force, but it still retains enough kinetic energy to drop from his head and strike his right shoulder, right thigh and ankle before rolling harmlessly onto the earth. As this bell struck each body part, it emitted a sound: tat from the impact with the head, dit form the right shoulder, tOm from the right thigh, and num from striking the right ankle. These 4 sounds (tat, dit, tOm, and num) go onto to form the basis for all the tAlAs - tadA shabdO jAtO nUpura vEgataha
ananta tALa shabdAnAm utpatam mUla kAraNam.
Incidentally, the late Madurai Krishnan has used this first 'SollukaTTu' very cleverly in one of his tillAnAs to invoke the first among the gods, gaNapati.
Mohan,
That was a neat piece of info that this was a designer piece created specially for Malavika Sarukkai.
Ravi
No clue about the translation, but what I understood from the DD VCD is this: Once when SivA was immersed in his tAnDava, a small bell broke loose from his anklets, and streaked across the sky like a meteorite headed for earth. The sages and munIs prayed to Siva to prevent calamity from striking. Granting their wishes, he allows the bell to fall on his head, where his matted locks absorb most of the force, but it still retains enough kinetic energy to drop from his head and strike his right shoulder, right thigh and ankle before rolling harmlessly onto the earth. As this bell struck each body part, it emitted a sound: tat from the impact with the head, dit form the right shoulder, tOm from the right thigh, and num from striking the right ankle. These 4 sounds (tat, dit, tOm, and num) go onto to form the basis for all the tAlAs - tadA shabdO jAtO nUpura vEgataha
ananta tALa shabdAnAm utpatam mUla kAraNam.
Incidentally, the late Madurai Krishnan has used this first 'SollukaTTu' very cleverly in one of his tillAnAs to invoke the first among the gods, gaNapati.
Mohan,
That was a neat piece of info that this was a designer piece created specially for Malavika Sarukkai.
Ravi