Lyrics - Radha Sametha Krishna,Theeradha Vilayattu Pillai
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rAdhA samEtA. rAgA: mishra yaman. Adi tALA. Composer: not known.
P: rAdhA samEta krSNa
C1: nandakumArA navanIta cOra brindAvana gOvinda murArE
2: gOpi manOhara gOkula bAla shobhita muraligAna vilAsA sundara manmata kOTi prakAshA
tIrAda viLaiyATTuppiLLai. rAgA: kEdAra/rAgamAlika. k/Eka tALA. Composer: Subramania Bharati.
P: tIrAda viLaiyATTuppiLLai kaNNan teruvilE peNgaLukkOyAda tollai
C1: tinnap-pazham koNdu taruvAN pAdi tinginra pOdilE taTTip-parippAn
ennappan ennaiyan enrAl adanai eccil paDutti kaDittuk-koDuppAn
2: tEnotta paNDangaL koNDu enna sheidAlum eTTAda uyarattil vaippAn
mAnotta peNNaDi yenbAn shaTru manamagizhu nErattilE kiLLi viDuvAn
3: azhaguLLa malar koNDu vandE ennai azha azha sheidupin kaNNai mUDikkoL
kuzhalilE shUTTUvEn enrAn ennai kuruDAkki malarinai tOzhikku vaippAn
4: pinnalaip-pin ninizhuppAn talai pinnE tirumbu munnE shenru maraivAn
vannap-pudu shElai tanilE puzhudi vAri shorinde varuttik-kulaippAn
5: pullAnkuzhal koNDu varuvAn amudu pongit-tadumbu nar-gItam paDippAn
kaLLAl mayanguvadu pOlE adanai kaNmUDi vAi tirandE kETTiruppOm
6: angAndirukkum vAi tanilE kaNNan ArEzhu kUTTerumbaip-pOTTu viDuvAn
engAgilum pArtaduNDO kaNNan engaLai sheiginra vEDikkai onrO
7: viLaiyADa vAvenrazhaippAn vITTil vElaiyenrAl adaik-kELAdizhuppAn nI
iLaiyArODADik-kudippAn emmai iDaiyir pirindu pIo vITTilE sholvAn
8: ammaikku nallavan kaNDIr muni attaikku nallavan tandaikkum ahdE
emmait-tuyar sheyyum periyOr vITTil yAvarkku nallavan pOlE naDappAn
9: kOLukku mighavum samartthan poimai suTtiram pazhi sholla kUshA shuzhalgaL
AlukkishaittapaDi pEshi teruvil attanai peNgaLaiyum aghAdaDippAn
P: rAdhA samEta krSNa
C1: nandakumArA navanIta cOra brindAvana gOvinda murArE
2: gOpi manOhara gOkula bAla shobhita muraligAna vilAsA sundara manmata kOTi prakAshA
tIrAda viLaiyATTuppiLLai. rAgA: kEdAra/rAgamAlika. k/Eka tALA. Composer: Subramania Bharati.
P: tIrAda viLaiyATTuppiLLai kaNNan teruvilE peNgaLukkOyAda tollai
C1: tinnap-pazham koNdu taruvAN pAdi tinginra pOdilE taTTip-parippAn
ennappan ennaiyan enrAl adanai eccil paDutti kaDittuk-koDuppAn
2: tEnotta paNDangaL koNDu enna sheidAlum eTTAda uyarattil vaippAn
mAnotta peNNaDi yenbAn shaTru manamagizhu nErattilE kiLLi viDuvAn
3: azhaguLLa malar koNDu vandE ennai azha azha sheidupin kaNNai mUDikkoL
kuzhalilE shUTTUvEn enrAn ennai kuruDAkki malarinai tOzhikku vaippAn
4: pinnalaip-pin ninizhuppAn talai pinnE tirumbu munnE shenru maraivAn
vannap-pudu shElai tanilE puzhudi vAri shorinde varuttik-kulaippAn
5: pullAnkuzhal koNDu varuvAn amudu pongit-tadumbu nar-gItam paDippAn
kaLLAl mayanguvadu pOlE adanai kaNmUDi vAi tirandE kETTiruppOm
6: angAndirukkum vAi tanilE kaNNan ArEzhu kUTTerumbaip-pOTTu viDuvAn
engAgilum pArtaduNDO kaNNan engaLai sheiginra vEDikkai onrO
7: viLaiyADa vAvenrazhaippAn vITTil vElaiyenrAl adaik-kELAdizhuppAn nI
iLaiyArODADik-kudippAn emmai iDaiyir pirindu pIo vITTilE sholvAn
8: ammaikku nallavan kaNDIr muni attaikku nallavan tandaikkum ahdE
emmait-tuyar sheyyum periyOr vITTil yAvarkku nallavan pOlE naDappAn
9: kOLukku mighavum samartthan poimai suTtiram pazhi sholla kUshA shuzhalgaL
AlukkishaittapaDi pEshi teruvil attanai peNgaLaiyum aghAdaDippAn
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Ravi, I was just making corrections when I saw your post. You have taken care of some, and here are some more. As you well know, not all the verses are sung or danced to. Reason? 1. Too lengthy a piece. 2. Even the great Bharathi got carried away here and wrote some extra verses (the 8th, for example). I would think that the edited version as we know it is just fine in capturing the mood...
corrections:
2. manamagizhum
6. kaTTeRumbai
7. pirindu pOi
8. mULi yAvarkkum
9. sazhakkan ALukkisainda paDi
more corrections welcome, if any.
corrections:
2. manamagizhum
6. kaTTeRumbai
7. pirindu pOi
8. mULi yAvarkkum
9. sazhakkan ALukkisainda paDi
more corrections welcome, if any.
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- Joined: 02 Feb 2010, 22:26
Arasi,
Thanks for your explanation...
Many of the songs as they are currently popular have more charaNams than are usually rendered...a few examples are yArO ivar yArO, kANa vENDum laksham kaNNgaL, dikku teriyAda kATTil....
As far as tIrAda viLaiyATTu piLLai, I think it first became a big success through the medium of movies, with Kamala's exquisite dancing to Vazhuvur Ramaiah Pillai's choreography: and most movie songs have a time limit...to cater to the short attention span of the average movie-goer! That is how, I think, just a few representative charaNams were chosen. Incidentally, for the movie song, DKP has sung a scintillating swara passage at the end (I am sure it was done to show off the Vazhuvur nrtittam), that I have not heard in later concert versions.
Ravi
Thanks for your explanation...
Many of the songs as they are currently popular have more charaNams than are usually rendered...a few examples are yArO ivar yArO, kANa vENDum laksham kaNNgaL, dikku teriyAda kATTil....
As far as tIrAda viLaiyATTu piLLai, I think it first became a big success through the medium of movies, with Kamala's exquisite dancing to Vazhuvur Ramaiah Pillai's choreography: and most movie songs have a time limit...to cater to the short attention span of the average movie-goer! That is how, I think, just a few representative charaNams were chosen. Incidentally, for the movie song, DKP has sung a scintillating swara passage at the end (I am sure it was done to show off the Vazhuvur nrtittam), that I have not heard in later concert versions.
Ravi
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tIrada vilayATTu piLLai............Engrossing depiction here......http://www.youtube.com/watch?v=quenYGNQ7_E&feature=sub
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S-P, if you want to see the very best vocal-dance combination, you have to get the original clip of Smt. DKP (vocal) and Kum (as she was then) Kamala (dance) - outstanding - samAna rahita - performance. At the end of the song, a set of ciTTasvarams are sung and danced to - sort of goose-bump raising experience. Smt. Kamala's abhinaya is so understated and all the more powerful for that.shyama-priya wrote:tIrada vilayATTu piLLai............Engrossing depiction here......http://www.youtube.com/watch?v=quenYGNQ7_E&feature=sub
Last edited by rshankar on 20 Jan 2010, 21:15, edited 1 time in total.
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rshankar wrote:
S-P, if you want to see the very best vocal-dance combination, you have to get the original clip of Smt. DKP (vocal) and Kum (as she was then) Kamala (dance) - outstanding - samAna rahita - performance. At the end of the song, a set of ciTTasvarams are sung and danced to - sort of goose-bump raising experience. Smt. Kamala's abhinaya is so understated and all the more powerful for that.
would love to watch this clip, Ravi - if you come across any links, please post.
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Re: Lyrics - Radha Sametha Krishna,Theeradha Vilayattu Pilla
Tamil movie 'Vedhala Ulagam' 1948.