Smt. R. Vedavalli
Smt. Sumati Krishnan
R.K. Sriramkumar - Violin
Pravin Sitaram - Mridangam
B.S. Purushottaman - Kanjeera
Jan 25, 2006 - Wedding Concert of one of our regular poster - Prashant
Though it was a private concert - I am posting the list to share the fact that the concert was top class, no - way mediocre because it was a kalyANa kutcheri etc. (I am posting at the request of Prashant)
Duration: about 2 hrs and 20 mins
1. vanajAksha - mandAri varnam - Adi - mysUr vAsudEvAchAr (S)
2. gajAnanayutam - chakravAham - Adi - dIkshitar (S at ajEndra)
3. koluvaiyunnADE - dEvagAndhAri - Adi - thyAgarAja (R)
4. nannu pAlimpa - mOhanam - dEsAdi - thyAgarAja (R)
5. lAvaNya rAma - pUrnashaDjam - rUpakam - thyAgarAja
6. chEta shrI bAlakrishnam - dwijAvanti - rUpakam - dIkshitar (R, S in slow speed alone)
7. shrI rAjagOpAla - sAvEri - Adi - dIkshitar (RS, N, S at dIrAgragaNya)
8. AlokayE rukmiNI kalyANagOpAlam - kIravANi - chApu - nArAyaNatIrthar (R, N, S at dwAraka)
9. tani Avartanam
10. kalyANOllAsa - shlOkam in kahraharapriyA, chEnchuruTi, dhanyAsi, nAdanAmakriyA, nIlAmbari and maNirangu
11. mAmava paTTAbhirAma - maNirangu - chApu - dIkshitar
12. lAli lAli - pIlu - Adi - purandaradAsa
13. mangaLam
Highlight was the meditative alapana in dwijAvanti, followed by a soulful rendition of the song and the bhava laden slow swaras
nannu pAlimpa was sung in the original dEsAdi tALa structure - beat followed by 2 finger counts and then a count with the palm facing up. - in 2 kalai - it is 2 finger counts of each and 2 of the palm facing upward. This is somehwat like how rUpakam is put nowadays. The kriti starts before the samam - in the structure. Was quite an eye opener. This is how dEsAdi tALa was.
Nice choice for the main piece and classic neraval in both the sAvEri and kIravAni pieces. Very nice viruttam. Excellent support from all - Pravin on Mdgm, RKS on Violin and BSP on kanjeera. Mami was suffering from cold and fever like symptoms, still gave a very nice, power packed concert, and would have gone on - but for the time restriction of 9 pm that was imposed, in view of the dinner that had to follow.
Smt. R. Vedavalli at Mumbai
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Many thanks to all of you for your good wishes and kind words. They are heartily appreciated by me and my [much!] better half! Looking forward to being back online more regularly in a few weeks.
Last edited by prashant on 28 Jan 2007, 12:48, edited 1 time in total.
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i thought dEsAdi began with the vIchu and a beat and two counts.arunsri wrote:nannu pAlimpa was sung in the original dEsAdi tALa structure - beat followed by 2 finger counts and then a count with the palm facing up. - in 2 kalai - it is 2 finger counts of each and 2 of the palm facing upward. This is somehwat like how rUpakam is put nowadays. The kriti starts before the samam - in the structure. Was quite an eye opener. This is how dEsAdi tALa was.
My best wishes to prashant