Hyderabad Brothers NGS 24/12/2007
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Hyderabad Brothers
Mysore Manjunath (Violin)
Karaikkudi Mani (Mrudangam)
V Suresh (Ghatam)
Navaragamalika Varnam – Adi
Teliyaleru Rama – Dhenuka – Adi – Thyagarajar (S)
Brochevarevare – Sriranjani – Adi – Thyagaraja (RS)
Ranganathude – Saurashtram – Rupakam – Ponniah Pillai (R)
Paramdhamavathi – Dhamravathi – Rupakam – Deekshitar (RNS)
Dandamu Bettanura – Balahamsa – Adi – Thyagaraja
Dasarathe – Thodi – Adi – Thyagaraja – (RNST)
Tukkadas
The bhagavathars and scholars in the auditorium wore a dissatisfied look. “Bah! Hindusthani!â€
Mysore Manjunath (Violin)
Karaikkudi Mani (Mrudangam)
V Suresh (Ghatam)
Navaragamalika Varnam – Adi
Teliyaleru Rama – Dhenuka – Adi – Thyagarajar (S)
Brochevarevare – Sriranjani – Adi – Thyagaraja (RS)
Ranganathude – Saurashtram – Rupakam – Ponniah Pillai (R)
Paramdhamavathi – Dhamravathi – Rupakam – Deekshitar (RNS)
Dandamu Bettanura – Balahamsa – Adi – Thyagaraja
Dasarathe – Thodi – Adi – Thyagaraja – (RNST)
Tukkadas
The bhagavathars and scholars in the auditorium wore a dissatisfied look. “Bah! Hindusthani!â€
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Nice review. My question, of putting them in MA prime time, is getting strong.
Last edited by grsastrigal on 26 Dec 2007, 10:02, edited 1 time in total.
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Thanks VK and GRS...reading the report I find that I have completely poor Raghavavchary (presumably the elder one - I always get confused)...while he did not a major role in the alaapanas, except briefly in Tohdi, he was in his element in the krithi renditions and swara passages and generally provided a fine couterbalance for his more adventurous brother. My apologies for the omission.
Anyone who is curious about music ought to listen to Hyd Bros. Not everyone will like it but there is a lot to learn. No wonder there were so many learned people in the audi.
Anyone who is curious about music ought to listen to Hyd Bros. Not everyone will like it but there is a lot to learn. No wonder there were so many learned people in the audi.
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A small correction, It ws not tisram alone, It was chatursram (Kandam, Tisram and Misram).
The Poorvangam Part and the Uthrangam part is evenly divided into Kandam, thisram, and Misram.
The beauty of the korvai is Kandam will be played only with solkattu of Kandam and tisram with tisram and misram with misram (this includes the karvais also).
Kandam = Thathikitathom in the First part
Kandam = Thakita thom thathi kitathom In the second part and so on for thisram and misram.
Thisram = Thatheekitathom in the First part
Thisram = Tha. Thakita thom thathi kitathom In the second part and so on for misram.
Misram = Thath theekitathom in the First part
Misram = Tha. Tha. Thakita thom thathi kitathom In the second part.
Regards
>>>They soldiered on, however, to produce an enjoyable tani in which Mishram singled out for exploration and eventual reduction, >>>laying the pitch for a classic KRM Korvai of four Avarthas in Chatushram and Tishram
The Poorvangam Part and the Uthrangam part is evenly divided into Kandam, thisram, and Misram.
The beauty of the korvai is Kandam will be played only with solkattu of Kandam and tisram with tisram and misram with misram (this includes the karvais also).
Kandam = Thathikitathom in the First part
Kandam = Thakita thom thathi kitathom In the second part and so on for thisram and misram.
Thisram = Thatheekitathom in the First part
Thisram = Tha. Thakita thom thathi kitathom In the second part and so on for misram.
Misram = Thath theekitathom in the First part
Misram = Tha. Tha. Thakita thom thathi kitathom In the second part.
Regards
>>>They soldiered on, however, to produce an enjoyable tani in which Mishram singled out for exploration and eventual reduction, >>>laying the pitch for a classic KRM Korvai of four Avarthas in Chatushram and Tishram
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vijay - did not take notes and so don't remember most of the details now. But here it goes - not sure if I got the order right too.
AbhOgi varnam
A krithi in hamsadhwani - S
mApala velasika - asAveri - T
ninnuvinAga - pUrvikalyANi - SS - RNST
niravati sukhada - ravicandrika - T
A krithi in a raga I could not identify
A krithi in yamunAkalyANi
Like I mentioned elsewhere the concert was about 1.5 hrs only of which most of it was taken by the pUrvikalyANi piece which was rendered very well.
Arun
AbhOgi varnam
A krithi in hamsadhwani - S
mApala velasika - asAveri - T
ninnuvinAga - pUrvikalyANi - SS - RNST
niravati sukhada - ravicandrika - T
A krithi in a raga I could not identify
A krithi in yamunAkalyANi
Like I mentioned elsewhere the concert was about 1.5 hrs only of which most of it was taken by the pUrvikalyANi piece which was rendered very well.
Arun
Last edited by arunk on 30 Dec 2007, 08:18, edited 1 time in total.
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S. V. Krishnan is the music critic for The Hindu.saadhyaa wrote:SVKrishnamoorthy? a Critic for The Hindu ??
Any name ending with -moorthy, such as Ramamoorthy or Krishnamoorthy, can be ruled out for Iyengars,
When SVK becomes older and decrepit, maybe he will start calling himself S V Krishnamachary; right now, he is content with being just S V Krishnan.
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Harimau, he is actually SV Krishnamoorthy....
http://www.hindu.com/fr/2007/12/14/stor ... 930200.htm
http://www.hindu.com/fr/2007/12/14/stor ... 930200.htm
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"He calls spade a spade" my foot! The guy calls even a fork, a spade.
IMO, he has been out of touch with the scene for many many years , and hence his reviews are irrelevant junk. The only useful purpose maybe for people want to learn how to be spiteful and smart-alecky, or for those who love reading unsavory comments about certain artists in public. For the latter, he does abundant service, as he trashes just about everyone left and right.
Arun
IMO, he has been out of touch with the scene for many many years , and hence his reviews are irrelevant junk. The only useful purpose maybe for people want to learn how to be spiteful and smart-alecky, or for those who love reading unsavory comments about certain artists in public. For the latter, he does abundant service, as he trashes just about everyone left and right.
Arun
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