Vocal : Vid. R N Srilatha
Violin : Vid. Nalina Mohan
Mridangam : Vid. Renuka Prasad
Kanjira : Vid. Kashinath
Venue : Kanyaka Parameshwari Temple, Malleshwaram, Bangalore
1. Sharanu siddhivinaayaka – Sowrashtra – Mishrachapu – Purandaradasa
2. Brovavamma – Neelambari – Mishrachapu – Shyama Shastri [R]
3. Parandhaamavati – Dharmavati – Roopaka – Dikshitar [R, N ,S]
4. Niravadhisukhada – Ravichandrika – Adi – Thyagaraja
5. Raamakathaa – Madhyamavathi – Adi – Thyagaraja [R, N, S, T]
6. Poorvajanmadali - ??? – Adi – Purandaradasa
7. Hari kotta kaalakke - ??? – Adi – Purandaradasa
I like attending Srilatha’s concerts mainly for her soulful and comprehensive alapanas. They bring out the shades of the raga so well. Today was no different. Neelambari was an unexpected, but pleasant surprise as the second piece of the evening. Both alapana and kriti rendering was very emotive. Dharmavati and Madhyamavati alapanas were superb too,though her voice was breaking slightly in the upper octave. Two rare devaranamas at the end, and both had very nice sahitya.
Nalina Mohan was good on the violin as usual, with smooth, short sketches of the ragas. Both Mridangam and Kanjira were good, but the Tani avartanam was completely marred by the cacophony of horns and screeching brakes of the Malleshwaram 8th cross traffic… This effect was mostly hidden by the rich, open-throated singing of the vocalist during most of the concert, but was really annoying during the tani. The audience was pretty inconsiderate too, floating in and out throughout the kutcheri...
Dr. R N Srilatha at Kanyaka Parameshwari Temple, 2nd Feb 200
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