can anybody describe abt the raga--"VEENA VAHINI" ?
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yesudas has sung a song in this raga. It is available at musicindiaonline.com - shrI gaNEshAtparam.
http://www.musicindiaonline.com/music/c ... artist.12/
http://www.musicindiaonline.com/music/c ... artist.12/
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What an abomination!Lakshman wrote:yesudas has sung a song in this raga. It is available at musicindiaonline.com - shrI gaNEshAtparam.
http://www.musicindiaonline.com/music/c ... artist.12/
Not his singing, but the recasting of this kRti whose structure and notation in the original ArdradEshi are well preserved in the Pradarshini.
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yes.
I attended the guruguhanjali concert series (a decade ago) when UKS sir played for balaji shankar, tm krishna and trs mama.
Had the fortune of listening to the concerts with brahmashrI Dr. kAsi viswanAtha iyer (father of UKS sir), whom I used to fondly call as "mAmA" and who is a perfectionist to the core and a complete man.
After the inagural speech, while talking to shrIvathsA sir, I asked him about the song being sung in vINA vAdhini. He said, " I know who sings like that, but, the raga for it is ArdradEshi. Just like mAyA mALava gowLa, but, gAndhAram is sung three times in the avarOhaNam."
He said an interesting story about a slOkam in his inaugural speech.
Once, there lived sAdhu mama, who is retiered and concentrating in peaceful life doing the sandhyAvandhanam, pUjA etc. He had an interest in gardening too.
A neighbour of him, gopalakrishnan, had a cow. The cow used to tress pass and eat vegetables and leaves from the mama's garden. Since, he had lot of belief in sAsthra, the mama was unable to beat the cow or to take any action like that.
One day, when he finished the pooja, he started reciting the usual slokam,
"swasthi prajAbhyAm paripAlayanthAm
nyAyEna mArgEna mahIm mahImsAm
gO brAhmaNEbhya sUbhamasthu nithyam
lOkA samathA sukinO bhavanthu"
but, when he said gO brAhmaNEbhya, he suddenly remembered the cow of his neighbour... "ayyayO, pasu yellAm nannA irukkaNumnu vENdeeNdA, indha pakkaththaaththu pasuvum sowkhyamaa irundhu, namma praaNanai vaangumE...."
then he sang the slOkam like this....
"swasthi prajAbhyAm paripAlayanthAm
nyAyEna mArgEna mahIm mahImsAm
gO brAhmaNEbhya sUbhamasthu nithyam
gOpAlakrishnan pasu neengalAga"

I attended the guruguhanjali concert series (a decade ago) when UKS sir played for balaji shankar, tm krishna and trs mama.
Had the fortune of listening to the concerts with brahmashrI Dr. kAsi viswanAtha iyer (father of UKS sir), whom I used to fondly call as "mAmA" and who is a perfectionist to the core and a complete man.
After the inagural speech, while talking to shrIvathsA sir, I asked him about the song being sung in vINA vAdhini. He said, " I know who sings like that, but, the raga for it is ArdradEshi. Just like mAyA mALava gowLa, but, gAndhAram is sung three times in the avarOhaNam."
He said an interesting story about a slOkam in his inaugural speech.
Once, there lived sAdhu mama, who is retiered and concentrating in peaceful life doing the sandhyAvandhanam, pUjA etc. He had an interest in gardening too.
A neighbour of him, gopalakrishnan, had a cow. The cow used to tress pass and eat vegetables and leaves from the mama's garden. Since, he had lot of belief in sAsthra, the mama was unable to beat the cow or to take any action like that.
One day, when he finished the pooja, he started reciting the usual slokam,
"swasthi prajAbhyAm paripAlayanthAm
nyAyEna mArgEna mahIm mahImsAm
gO brAhmaNEbhya sUbhamasthu nithyam
lOkA samathA sukinO bhavanthu"
but, when he said gO brAhmaNEbhya, he suddenly remembered the cow of his neighbour... "ayyayO, pasu yellAm nannA irukkaNumnu vENdeeNdA, indha pakkaththaaththu pasuvum sowkhyamaa irundhu, namma praaNanai vaangumE...."
then he sang the slOkam like this....
"swasthi prajAbhyAm paripAlayanthAm
nyAyEna mArgEna mahIm mahImsAm
gO brAhmaNEbhya sUbhamasthu nithyam
gOpAlakrishnan pasu neengalAga"




Last edited by erode14 on 08 Apr 2008, 14:47, edited 1 time in total.
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Ramnath,Ramnath Iyer wrote:cmlover,
I think it was in sangeetham.com forum that Ramki posted his version of this kriti. I think he had learnt the kriti himself following the notation in SSP....would love to hear it again.
Ramnath
Here is a copy of the earlier recording that was posted on guruguha.org ( Ramki, I am sure you don't mind sharing this recording , since we would have to make do with this recording till you release ArdhradEshi 2.0 )
http://www.mediafire.com/?1fsdzhcenxf
Last edited by vidya on 12 Apr 2008, 17:04, edited 1 time in total.
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Vidya,
thanks for the clip. As CML says one could hear lot of his guru in Ramki's playing.
Ramki,
please give some background on how/why you unearthed this kriti from the SSP.
CML,
I am not musiri. I used to post as Ramnath only in Sangeetham. IIRC musiri is N Ramanathan of carnatica. He can confirm/deny this
Ramnath
thanks for the clip. As CML says one could hear lot of his guru in Ramki's playing.
Ramki,
please give some background on how/why you unearthed this kriti from the SSP.
CML,
I am not musiri. I used to post as Ramnath only in Sangeetham. IIRC musiri is N Ramanathan of carnatica. He can confirm/deny this

Ramnath
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Dear Ramnath
I subsequently realized. But in any case we are all sangeetham buddies and CM is the common thread that binds us all.
As age starts taking its toll on Kalpakam mami, it is incumbent on folks like Ramki to bring out these ancient classics and practices to light for the preservation of sampradaya and further educate us on the subtlities lest they get lost for ever!
I subsequently realized. But in any case we are all sangeetham buddies and CM is the common thread that binds us all.
As age starts taking its toll on Kalpakam mami, it is incumbent on folks like Ramki to bring out these ancient classics and practices to light for the preservation of sampradaya and further educate us on the subtlities lest they get lost for ever!
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I have a particular fondness for rAgas in the mALava-gauLa clan, and was - at that time - coming to the realization that the beauty of many of the MD songs in these (e.g. shrI gurunA , shrI bhArgavI, mangaLa dEvatE, rAma rAmakali) lay in the plaintive/stark nature of the notes, with kampita-type gamakas in strict moderation. The only other ArdradEshi rendition available then represented - to me - an "over-assakkified" version and I tried to imagine how a sibling of pADi-mArgadEshi-mangaLakaishiki would sound if reconstructed as per SSP notation.Ramnath Iyer wrote:background on how/why you unearthed this kriti from the SSP.
Last edited by vainika on 13 Apr 2008, 23:58, edited 1 time in total.
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I've also wondered why there is such a high spread of dwimadhyama ragas (or in some cases dwimadhyama possibilities) in this clan alone? Gaulipantu, MargadEshi, malavapancamam, ramakali etc. Perhaps the stark nature and the plaintive rendition has something to do with this.vainika wrote:coming to the realization that the beauty of many of the MD songs in these (e.g. shrI gurunA , shrI bhArgavI, mangaLa dEvatE, rAma rAmakali) lay in the plaintive/stark nature of the notes, with kampita-type gamakas in strict moderation
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Just out of curiosity Ramki, where did you hear the 'over-assakkified' (like this term by the wayvainika wrote:The only other ArdradEshi rendition available then represented - to me - an "over-assakkified" version and I tried to imagine how a sibling of pADi-mArgadEshi-mangaLakaishiki would sound if reconstructed as per SSP notation.

When you reconstructed, did you follow the SSP notation of gamaka symbol as well ?
Also, does anybody know if this song is recorded by the trio of TM Krishna, RK Shriramkumar and RS Jayalakshmi as part of their SSP project ? Would love to listen to their version also.
Ramnath
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Ramnath,
You can probably find it on sangeethapriya if you search by song name.Just out of curiosity Ramki, where did you hear the 'over-assakkified' (like this term by the way ) ?
I think the Ga tends to be OAfied/m-gauLafied often. In contrast, S Balachander's version is among the starkest and most beautiful.Has Lalitha also succumbed to this in your opinion ?
For most part, with some deletions when it came to the squiggles on Sa and insertions of jAru where I thought they would not be out of place.did you follow the SSP notation of gamaka symbol as well ?
Don't know, but it may be part of Dr. Jayalakshmi's Ph.D.: you could check here.Also, does anybody know if this song is recorded by the trio of TM Krishna, RK Shriramkumar and RS Jayalakshmi as part of their SSP project
Last edited by vainika on 16 Apr 2008, 23:39, edited 1 time in total.
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not so far, check their website http://www.jnanarnava.org/Also, does anybody know if this song is recorded by the trio of TM Krishna, RK Shriramkumar and RS Jayalakshmi as part of their SSP project
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I understand that the raga 'VEENA VADINI' is different from Hamsadhwani -only in the nishadam.
V.V. has kaisiki nishadham while H.D. has kakali nishadham.
There is this song' KaredarE bara bAradE guruvE' which ,I think, is in swarasammodhini.This sounds close to V.V. except that it does not have 'rishabham and nishadham in the arohanam and it is vakram I think-sgpsnpgps'
'.Avarohanam is 'snpgrs'.Can any one confirm if my assumption is correct?
V.V. has kaisiki nishadham while H.D. has kakali nishadham.
There is this song' KaredarE bara bAradE guruvE' which ,I think, is in swarasammodhini.This sounds close to V.V. except that it does not have 'rishabham and nishadham in the arohanam and it is vakram I think-sgpsnpgps'
'.Avarohanam is 'snpgrs'.Can any one confirm if my assumption is correct?