I need the lyrics of this krithi very urgently...
I tried many websites but did nt find this...
this is a composition of Gopala Krishna bharathi....
thathai endru aduvar....in sindhubhairavi
thanks in advance
Thathai enru Aduvar-sindhubhairavi-Gopala Krishna Bharathi
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tA tai tA tai. rAgA: sAvEri. Adi tALA.
P: tA tai tA tai enru ADum naTEsarE dayavu sheidaruLum ayyA
A: kUTrinai udaitta porp-pAdarE vEdarE kuvalayam pugazh tillai naTarAja dEvarE
C1: pAda silambugaL engu muzhangiDap-patanjali vyAghrar paNindu kuvindiDa
mEdini engum pugazhum niraindiDa viNNOrgaL malar mARigaL pozhiyavE
2: tumburu nAradar kimpuruSar mudal tamburu mITTip-padangaL pADa
anbuDanE nandi maddaLam vAsikka inba adAghavE vEdangaL ghOSikka
3: aravamaNi paLapaLa paLavena arugil ninru umaiyAL shiva shiva shivavenap-
paruvuDal muyalagan kirikiru kiruvena bhaktan bAlakrSNan pArttuk-kaLikkavE
P: tA tai tA tai enru ADum naTEsarE dayavu sheidaruLum ayyA
A: kUTrinai udaitta porp-pAdarE vEdarE kuvalayam pugazh tillai naTarAja dEvarE
C1: pAda silambugaL engu muzhangiDap-patanjali vyAghrar paNindu kuvindiDa
mEdini engum pugazhum niraindiDa viNNOrgaL malar mARigaL pozhiyavE
2: tumburu nAradar kimpuruSar mudal tamburu mITTip-padangaL pADa
anbuDanE nandi maddaLam vAsikka inba adAghavE vEdangaL ghOSikka
3: aravamaNi paLapaLa paLavena arugil ninru umaiyAL shiva shiva shivavenap-
paruvuDal muyalagan kirikiru kiruvena bhaktan bAlakrSNan pArttuk-kaLikkavE
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- Posts: 14185
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Sorry I posted the incorrect song. Here is the right one:
tA tai enrADuvAr. rAgA: dEshyatODi / tODi. Adi tALA.
P: tA tai enrADuvAr avar tattittai enrADuvAr
A: Adi parAparam Aghiya cittu Anandam koNDoru kAlai eDuttut-
C1: aNDa carAcarm engum naDUnga AdisEDanAr muDigaL nerungat-
2: shIlam perugiya munivar koNDADat-tingaLai shUDiya shen shaDai ADat-
3: pAr pugazhum tillai cidmbara nAthan bAlakrSNan paNindEttiya pAdan
tA tai enrADuvAr. rAgA: dEshyatODi / tODi. Adi tALA.
P: tA tai enrADuvAr avar tattittai enrADuvAr
A: Adi parAparam Aghiya cittu Anandam koNDoru kAlai eDuttut-
C1: aNDa carAcarm engum naDUnga AdisEDanAr muDigaL nerungat-
2: shIlam perugiya munivar koNDADat-tingaLai shUDiya shen shaDai ADat-
3: pAr pugazhum tillai cidmbara nAthan bAlakrSNan paNindEttiya pAdan
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Kunjamma, here goes:
pallavi:
He (avar) dances (ADuvAr) to the SorkaTTu that go (enru) tA tai and tat dhit tai
anupallavi:
As the consciousness (cittu) that has evolved (Agiya) into the primordial (Adi) and supreme (parAparam) power lifts (eDuttu) one (oru) leg (kAlai) and dances in pure bliss (Anandam koNDu) {to the SorkaTTu 'tA tai' and 'tat dhit tai'.}
caraNam 1
Both animate (cara) and inanimate (acaram) objects that inhabit the various worlds (aNDam) quake (naDunga) everywhere (engum), while the various heads (muDigal) that adorn the hood of the mighty serpent AdisEsha (AdisEDanAr) become compressed (nerunga) {as the Supreme Being dances forcefully to the SorkaTTu 'tA tai' and 'tAt dhit tai'}
caraNam 2
{As the Supreme Being dances forcefully to the SorkaTTu 'tA tai' and 'tat dhit tai'} his matted red (Sen) locks (SaDai) adorned (SUdiya) with the beautiful moon (tingaLai) sway (ADa), and, observing this, the sage (munivar) [1] who is the very embodiment of virtue (SIlam perugiya) [2] celebrates (koNDADa)
caraNam 3
The Lord (nAthan) of cidambaram (tillai) who is praised (pugazhum) by all the inhabitants of this world (pAr) and worshiped (paNindEttiya) by the composer (bAlakrishnan) is the one whose feet (pAdan) {dance to the SorkaTTu 'tA tai' and 'tat dhit tai'}.
FOOTNOTES
[1] I think the reference is to patannjali.
[2] SIlam perugiya - literally means 'from whom virtue flows' - or 'one in whom virtue has grown to great proportions'
pallavi:
He (avar) dances (ADuvAr) to the SorkaTTu that go (enru) tA tai and tat dhit tai
anupallavi:
As the consciousness (cittu) that has evolved (Agiya) into the primordial (Adi) and supreme (parAparam) power lifts (eDuttu) one (oru) leg (kAlai) and dances in pure bliss (Anandam koNDu) {to the SorkaTTu 'tA tai' and 'tat dhit tai'.}
caraNam 1
Both animate (cara) and inanimate (acaram) objects that inhabit the various worlds (aNDam) quake (naDunga) everywhere (engum), while the various heads (muDigal) that adorn the hood of the mighty serpent AdisEsha (AdisEDanAr) become compressed (nerunga) {as the Supreme Being dances forcefully to the SorkaTTu 'tA tai' and 'tAt dhit tai'}
caraNam 2
{As the Supreme Being dances forcefully to the SorkaTTu 'tA tai' and 'tat dhit tai'} his matted red (Sen) locks (SaDai) adorned (SUdiya) with the beautiful moon (tingaLai) sway (ADa), and, observing this, the sage (munivar) [1] who is the very embodiment of virtue (SIlam perugiya) [2] celebrates (koNDADa)
caraNam 3
The Lord (nAthan) of cidambaram (tillai) who is praised (pugazhum) by all the inhabitants of this world (pAr) and worshiped (paNindEttiya) by the composer (bAlakrishnan) is the one whose feet (pAdan) {dance to the SorkaTTu 'tA tai' and 'tat dhit tai'}.
FOOTNOTES
[1] I think the reference is to patannjali.
[2] SIlam perugiya - literally means 'from whom virtue flows' - or 'one in whom virtue has grown to great proportions'
Last edited by rshankar on 21 Jun 2009, 19:22, edited 1 time in total.